Friday, September 06, 2019

New Poetry by Judith Nangala Crispin










Elegy for a Thylacine in the National Museum

The last known thylacine, a female named ‘Benjamin’,died alone in her cage at Beaumaris Zoo, on September 7, 1936. She had frozen to death– the zoo keeper having forgotten to put her inside for the night. Her body was thrown into a rubbish bin.

All the others are gone, erased¬–
their slanted gaits, their pelts banded fire
and venus blood.
They are erased–and nothing left of them
now but names: Ghost Tiger
Wurrawana, Corinna.
They will not come again,
come eddying over grasslands,
star-stippled, will not
leap, rock to rock, or stop
in a clearing behind the houses,
rotate an ear in some gigantic night,

in all the sounds of those black hours–
waking pardalotes,
quolls return to wild shadow,
galaxies carried on their backs.
At dawn, the alpenglow
will flood a country without thylacines–
over Cradle Mountain, a new sun
lifts over conifers like hackles.
How many days has she paced
this perimeter fence?
At dusk the zoo keeper moves her inside,
into a box, a place of straw
and concrete, light spills under a door.
Dead light.

She is a hooded falcon, sees only
this leaden interior. In the late watches
she presses her head against the wall,
listening for storms, for the ice winds
to founder in across the snowfields,
bringing the scent of pines.

She remembers needles
blackening into snowbearing clouds.
And her memory is a vein extending
over this whole landscape, a story repeated
so often it distorts to ripples, murmurs,
something running on its toes like a fox,
and what remains are only
cadavers hanging in a tree,
pelts nailed to a woolshed door.
In tussock weighted with weed,
she is hidden– her shape barred in barred light.
The zoo keeper’s eye passes over so easily.
Floodlights in the enclosures go out.
The buildings darken. Wire fences
are harps in the jaw of wind.

She emerges into the yard,
winterbright, and the night raining stars¬–
Lupus, Sirius, the constellations of her life.
In that cold living air,
her breath hangs
clouds.

They found her frozen in grass,
in hoarfrost,
white on white–
just something dead in a cage.
And later, locked in their houses at night,
with their skinning blades, with their fear,
their hunger to own everything,
they will say she was not the last.

Someone found a tooth on the escarpment,
a scrap of fur against the sound barrier
of some new freeway.
And while they speak
the ash of thylacines will drift over cities and roads,
the wasteland of industrial farms,
and find no place to settle.


- Judith Nangala Crispin 2019


Judith Nangala Crispin is a Bpangerang poet and artist living near Lake George. She has two published collections of poetry "The Myrrh-Bearers" and "The Lumen Seed", and is currently Poetry Editor of The Canberra Times. 

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