Thursday, March 11, 2021

New Poetry by Jeanne Julian










Making It Go Away
 
In the pew at St. Alban’s
the girl picks a bit of skin
from the edge of her nail
during the liturgy,
sting a distraction
from the staid service,
the reverend’s rote,
but uh-oh her thumb
is bleeding so she tears
a little triangle from
the corner of a hymnal
page and presses paper
to the rude sore.
The scrap tamps
sensation, disguises
her discreet misdeed—
this discovery
of secret satisfaction
hers well before
entrée to the tedium
of sex with some dull,
demanding boy.


- © Jeanne Julian 2021


Jeanne Julian of South Portland, Maine, is co-winner of Reed Magazine's Edwin Markham Prize (2019). Author of Like the O in Hope and two chapbooks, she has published poems in Comstock Review, Kakalak, Poetry Quarterly, Naugatuck River Review and other journals. She reviews books for The Main Street Rag. www.jeannejulian.com

Tuesday, March 09, 2021

New Poetry by Peter Mladinic










Schaeffer Is Next

The next vape, the next corner
To turn, the next day, he drove
To Maidenrock.  It was a Saturday.
Schaeffer thinks of the adjective,
Then, next, please, please added
To soften the blow that one is next,
Whether one likes it or not.  Schaeffer
Thinks, I’m next.  He thinks:
The next vampire film, the next
Trip to Walmart, the next bite
Of the apple, the next diver
To leap from the plane and pull
The parachute string to soften the fall.

Don’t sit under the apple tree
With anyone else but Kim Kardashian West
Don’t sit under the apple tree
With anyone but Derek Jeter
With anyone but Taylor Swift
With anyone but a descendent of Clyde
Barrow, with anyone whose surname
Is Lake
Don’t do it, don’t sit there with
Casey Anthony, Susan Smith
Or Charles Manson

The next vape, the next hero
The next vampire, the next banquet
The next moment, who knows
Anything might happen:
A river might flood,
A tree might catch on fire.

There’s the Rita H angle
How she was glamorous in her voice
Her eyes, her long wavy red hair
Her spangled dress that hugged her hips
Glamorous in her walk in how she moved
Back and forth on stage
Under the spotlight in Gilda.
Then, spin the wheel of time forward,
Say, twenty years and find her
Alone in a room.  Dementia
Has taken over.
She is cared for, incontinent
Can’t wipe herself or wash her
Once lovely hair.  Oh,
The waking nightmare bird
Perches on her shoulder
That was once bare and aflame
With lust, all of her.


- © Peter Mladinic 2021


Peter Mladinic has published three books of poems: Lost in Lea, Dressed for Winter, and Falling Awake in Lovington, all with the Lea County Museum Press.  He lives in Hobbs, New Mexico.
 

New Short Fiction by Michael Cantor

 I’m the Fly on the Wall

 Marine Corps Base Camp Pendleton has a visitor’s center located near its main access gate in Oceanside.  If you want a pass to go on base, you must get one at the visitor’s center.   They don’t accept appointments.  I arrived at 8:30 a.m. on Tuesday morning.
 As I flew in the door, I counted nearly forty people already seated waiting to get a visitor’s pass.
 I didn’t need a pass, so I took a seat on the first wall I found to check things out.
 It appeared that the first step was to stand in line and submit paperwork.  After that you take a seat and wait for your name to be called. 
 As I sat on the wall, my attention was drawn to an outspoken man of let’s say about sixty years of age. Hard for me to give his exact age because… well, I’m a fly.
 Entering right in front of me was a middle-aged woman of Hawaiian descent.  How do I know this? I’m a house fly.  I watch a lot of TV. 
 As the Hawaiian lady stands in line, the ‘say about sixty man’ says something to her in some other language.  It might have been Hawaiian, but I wasn’t sure. He then says, “I learned how to say that in seven other languages depending on where I was stationed.  When I was in Honolulu for two and half years, all my children had friends with names like Alani, Kona, Leilani, Healani and Kapuni so I also learned a bunch of Hawaiian phrases.”  He added, “To this day, my favorite dish is Loco Moco, but I don’t like Poke.” She smiles, waits her turn in line, turns in her paperwork and finds an open chair on the opposite side of the room from ‘say about sixty man.’ 
 I changed seats and took one on the ceiling just over the ‘say about sixty man.’ 
 By the way, he had a small mixed breed dog.  At this point his dog lets out a high-pitched bark, and I’m a little concerned that he/she is barking at me.  Even though I’m sitting on the ceiling, I always get more nervous around dogs.  The ‘say about sixty man’ says, “Oh my little girl is just hungry for a treat.”  He reaches into one of his pockets and offers her a little cookie snack.  I see a tiny crumb fall to the ground and buzz down to catch a bite.  In mid-flight, I change my mind as it’s too close to that dog.
 That said, ‘say about sixty man’ speaks quite loudly whenever he has something to say, which makes everyone in the visitor’s center privy to his commentaries.  I don’t think he’s talking to everyone, but it sure seems like it.  I decide to leave my ceiling seat and take another one on a side wall.
 This is when I hear ‘say about sixty man’ tell the young lady seated next to him that his dog’s name is Dumo.  I think that’s what he said, or Domo.  I’m not sure. 
 He then introduces himself. “I’m Jerry Walazinski.”  I think she told him her name. But just as she did, someone slammed a door on my wall, and I instinctively flew off and didn’t hear it.  I buzzed around a bit and had to dodge some hand waves until I found another place on that same wall where I could continue to listen to Jerry Walazinski.
 Jerry was about five nine, two hundred plus pounds and a full head of uncombed white hair.  He was wearing an oversized zippered gray sweatshirt and had a knack for talking to strangers.
 The young lady whose name I didn’t get when the door slammed was dressed in tight black jeans, black lace-up boots, and a black tank top. Her shoulder-length blond hair covered up some tattoos on her upper arms.  Let’s call her Door Slam.
 I wasn’t picking up on Door Slam’s sexual orientation, but Jerry was.  I couldn’t resist listening in as he chatted her up non-stop.  It was like he was a distant uncle that hadn’t seen her since she was a baby and was totally into what she had grown up to be.  They were talking about some very intimate things regarding same sex stuff… at least, he was.  Even from my elevated wall position, it was over my head.  For your benefit, I’m just sharing highlights.  In short, Jerry was straight, and Door Slam was not.
 Jerry is in an aisle seat and two ladies close to his age are standing in line to turn in their paperwork right next to him.  From his chair he looks up at them and says, “Hello Ladies. If you’re sixty or younger, you are beautiful.  But if you over sixty, you’re gorgeous.” 
 I’m just a fly, but I can feel a genuine compassion in Jerry’s words, even if what he’s saying is questionable.  I dart to another wall position just in time to see both ladies roll their eyes.  One of them was moving her lips, but I couldn’t make out what she said.  I’m sure it was related to the eye rolls.
 Meanwhile, Jerry is getting to know Door Slam.  I can’t say how he got there, but he’s saying things like how important it is to know who you are and what you want and need in life. 
 Jerry’s a retired career Navy guy who was stationed all over the place.  Not unlike what I do on a daily basis.  He was telling Door Slam stuff about his Navy career and asking questions related to her partner.  Her girlfriend is a civilian and works in a HR department in a hospital off base. She’s a Marine getting a pass for her girlfriend. 
 With almost forty people in the room, there was a lot of activity going on, but I couldn’t take my feelers off Jerry. After two hours or so a visitor center employee called out, “Jerry Walazinski window five.”  
 Jerry got up and went to get his pass.  As he walked to window five, he announced to all, “Finally they’re getting rid of me.  I’m getting out of here before lunch time.  Duomo is happy.”  Duomo? Maybe that’s it. 
 I buzzed just above their heads, dodged a few hand waves so I could get the dog’s name straight. I stopped on the wall above window five. If he says it one more time, I’ll get it right.
 After Jerry got his pass, he turned to the forty or so people and one fly on a wall and repeated the same thing he said to the ladies earlier.  Only this time, he said, “Before I leave, I want all the ladies here to know if you are sixty or younger, you are beautiful.  For all the ladies sixty and over, you will always be gorgeous.”
 I did a fly over spin like a F-16 upon hearing that one again.  While spinning, I noticed a majority of the people in the room thought that was pretty funny the second time round.  Of course, some were rolling their eyes, probably wishing they could lift off and do an aerial spin like me.
 But he wasn’t done…
 He pointed at what’s her name, Door Slam, and said, “Come up here.”  In front of everyone that was watching and listening, as if they did what I did for a living, he directed her to get out of her chair and come up to him.  He gave her a big hug. “You are beautiful.  Keep doing your thing.  That takes a lot of courage.”
 Door Slam was a little taken back by that gesture, but accepted it like a good sport and sat down.
 Jerry Walazinski and his dog Duomo left the building at 10:45 a.m.
 I decided to buzz around and wait to get a ride out with the Hawaiian lady. If you’re wondering how I got here, it was in her car.  I spent some good times in her house and was looking forward to making the return trip with her.  She has a really big TV.


- © Michael Cantor 2021


Michael Cantor was born in Los Angeles and earned a BA in Humanities from the University of Southern California.  In 2018 he published, “Thanks for Taking the Time to be Prepared.  A Handbook for Emergency Preparedness Tips."


 

 

Monday, March 08, 2021

New One Scene Play by Amita Basu

Trio

ETHEL: You didn’t let me go last year. Now, I’m going.

#3: Look what she’s packing. Two bits of string – to wit, a bikini.

HANNAH: That’d look lovely on you, darling. It’s just your colour –

#3: That bulge-eyed Mr. Geil is ‘escorting’ these innocents!

HANNAH: …But if you’d just wait till April! I’ve almost saved enough for a new car. I’ll take you camping.

ETHEL: Why d’you need a new car? You’re only going to buy another thirdhand piece of shit. Mom, forget the car. Send me to camp. I’ve earned it.

HANNAH: True –

#3: She wants to go only because there’ll be boys. She’ll come home pregnant. As you did.

HANNAH: …No, darling. Once we’ve got the car –

ETHEL: Forget the car! You only want it so you can pick up a boyfriend. Aren’t you ashamed, at your age, gallivanting around with good-for-nothings?

#3: Doesn’t she realise you need a man around? She thinks living is free.

HANNAH: Ethel, that’s not fair. I slave all day, earning minimum wage. If I could save enough to go back to college –

ETHEL: And pick up a college-going good-for-nothing? Oh, you’d need a new car for that, for sure. So which is it, mom? Are you saving for a car, or for college?

HANNAH: Ethel, that’s not kind.

#3: Not kind! Belt the brat. As Dad belted you. And you turned out tough. Got me for your 12th birthday-present. This brat – you’ve spoiled. She’s 15, and still a child.

HANNAH: You’re lucky I don’t… You’re not going to camp. Go to your room.

ETHEL: No. I’m fifteen. I can’t even talk to you?

HANNAH: You’re always cursing at me, darling.

ETHEL: Because, you never understand me. Everyone’s going to camp!

HANNAH: Hmm… How much did you say it’d cost?

#3: You’re rewarding this idiocy?

HANNAH: …Whatever it costs, you’re not going. If you won’t go upstairs, I’m leaving.

ETHEL: Go! Run away. David’s coming over.

HANNAH: Hmm, David’s nice…

#3: I bet she thinks so, too! A boy coming over, this late – and Mrs. Kleinlich next door peering between her blinds writing her weekly report for Pastor Schafer!

HANNAH: …But it’s late.

ETHEL: He’s almost here. What’re you gonna do, turn him away?

#3: Yes. David’s nice, but he’s going nowhere. She’s fallen for a loser.

HANNAH: Who’s Jason dating now? Couldn’t you two make it up?

ETHEL: I like David. Fuck Jason. Fuck you, too.

HANNAH: Ethel, I understand you’re upset about camp –

#3: Don’t apologise. We made the right decision.

HANNAH: …You needn’t understand my decisions. You do need to respect them. I’m the adult.

ETHEL: You’re the adult? You don’t even know your own mind!

#3: She knows nothing. Don’t worry. I’ll teach your daughter. Soon, she, too, will start hearing me.

HANNAH: Ethel, someday you’ll –

ETHEL: I’ll never be like you. I’ll always do just what I want. (Storms out.)

HANNAH: I hope so, Ethel. I hope when you talk to someone, it’ll always be just you two.


- © Amita Basu 2021


Amita Basu is a cognitive science PhD candidate. Her fiction has appeared in Toyon, Silver Pen Fabula Argentea, Flash Fiction Magazine, Gasher, Fearsome Critters, Star 82 Review, Kelp, Potato Soup Journal, Dove Tales, St. Katherine Review, Ligeia, Novel Noctule, The Bookends Review, Entropy, Proem, Muse India, Scarlet Leaf Review, and The Right-Eyed Deer. Her nonfiction has appeared in The Curious Reader, Deccan Herald, Qrius, The Hindu Open Page, Countercurrents, and ParentEdge. She lives in Bangalore, India.




 

New Poetry by James Croal Jackson










Overtime

January, so–
renewal, no, just

soaking in the sunrise,
the year– not NEW

year, same shit
as last, endless weeks

of overtime, begging
the sun

please change
your sleep pattern,

stay up all night
for me!


- © James Croal Jackson 2021


James Croal Jackson is a Filipino-American poet. He has two chapbooks, Our Past Leaves (Kelsay Books, forthcoming 2021) and The Frayed Edge of Memory (Writing Knights Press, 2017), with recent poems in White Wall Review, Subnivean, and Hello America. He edits The Mantle Poetry (themantlepoetry.com) from Pittsburgh, PA. (jamescroaljackson.com)


 

Sunday, March 07, 2021

New Short Fiction by Chuck Teixeira

 … short for Salome

 “Sorry to disappoint you,” Atsushi said. “I asked, but Sally said no girl should endure discomfort on her wedding day.”
 “It doesn’t surprise me,” Jeff rode a wave of regret for having delayed so long to come out to Atsushi.  But, after so many years apart, the past few visits had been growing comfortable, even sweet.   “Remember,” Jeff added laughing, “Heaven knows no rage like love to hatred turned/nor hell a fury like Filipinas spurned. William Congreve said that,” Jeff clarified, “the British playwright, not me. A little bit me.”
 “It isn’t funny,” Atsushi said. He was the only child of a family from Kagoshima. His mother had never let him lose hope of giving her grandchildren. Now, almost 40 years old, he had proposed marriage for the first time in his life.  Sally, his intended, was a kindergarten teacher from Manila. “And it’s kind of racist.”
 “It’s a terrible generalization,” Jeff admitted, “But examples lend support.”
 “Give me one,” Atsushi said, “and a way I can confirm it.”
 “Sorry,” Jeff said, “I have it only second hand. And my source has passed away. Nonetheless, eventually you may find yourself confirming it.”
 “Maybe,” Atsushi said, “but careful what you say about anyone not here.”
 “Once upon a time,” Jeff began, “while I was still in the closet, I went on a few dates with a Filipino ice skater.  He had actually medaled at the Gay Games in Prague.  He was a handsome guy with a beautiful body.  But, two weekends into the relationship, he started reorganizing my life.”
 “If you had let him reorganize,” Atsushi said, “you might be in better shape now.”
 “He wanted to move into my house and seize control of my finances.”
 “The house you had to sell to pay gambling debts?”
 “Yes,” Jeff said, “the only house I’ve ever owned.” Jeff had fallen so low financially that he was renting a room in the Sunset and was working call centers through a temp agency.  For a long while, he had resisted the advances of the teenage son of the Chinese family he was renting from.  But now Jeff was yielding; so, it would not be long before he would have to find another place to live. “Maybe in better shape,” Jeff said mostly to himself, “or maybe in prison.”
 “Why prison?” Atsushi said.
 “The Filipino skater wouldn’t let me stop seeing him.  Late nights, he would show up uninvited, bang on the door and demand to be let in.”
 “Did you call the police?”
 “No, I was afraid to. I was still in the closet.”
 “Still in the closet?  Nearly everyone knew you were gay.”
 “Really?” Jeff said. “Was I that nelly?”
 “No,” Atsushi said. “Never flamboyant, around me at least, but touching me and, I guess, other people a lot after a drink or two. You feel better now?”
 “No! If I had come out when we were young, I might have frightened you away, but –"
 “Who knows what could have happened back then?” Atsushi said. “But I don’t want to revisit the subject.  Your being gay doesn’t bother me now. Maybe it never would have bothered me.”
 “What I regret is the constant evasion,” Jeff said, “the erosion of authenticity in dealing with you.”
 “Shit happens,” Atsushi said, “so cut the recrimination.”
 “I would,” Jeff said, “if the duplicity hadn’t led to my drifting from one unsatisfactory substitute for you to another even less satisfactory.”
 “I don’t know if I would have been available back then,” Atsushi said. “But as things stand between Sally and me, I can’t be available now.”
 “I wasn’t thinking you could,” Jeff said.
 “The other rice queen, the one on ice,” Atsushi said, “did he offer you the bronze? Or was it bamboo?”
 Jeff frowned in disapproval. “I didn’t know how far the Filipino skater would take things.  So, I sought personal guidance from one of the senior leaders in my Buddhist group.  He told me about Ed, one of his neighbors, a construction worker who married a nurse from Mindanao. Ed boasted that his new wife was even more docile than his first, a pole dancer from Chiangmai.  At least, that’s what the nurse led Ed to believe.  And during the first years of marriage, she seemed to handle things pretty well, his smoking, his drinking, even his messing around with other women.  Then a fall at a construction site left Ed helpless in a wheel chair. His wife remained faithful, but sometimes her anger barreled through her nurse’s oath.  She would slap Ed hard across the face and ask if he still felt irresistible to other women.”
 “Why are you telling me this?” Atsushi said. “Sally’s not from Mindanao.  She’s from Luzon, a world away.”
 “I don’t know Asia,” Jeff said.  And Jeff had had no interest in anything or anyone Asian until Atsushi slipped into homeroom the first day of sophomore year and pierced Jeff’s heart.
 “And I don’t know a lot about women,” Atsushi said, “but I’m sure my kindergarten teacher from Luzon has nothing in common with that nurse from Mindanao.”
 “You’re probably right,” Jeff said.  “But forewarned is forearmed.  I came out of the closet right after I received the guidance about Mindanao, R.N., and Mr. Ed.  And I called the cops the next time the skater showed.”
 “Did you ever receive guidance about gambling?”
 “Nothing I felt was necessary or even possible to follow.”
 Atsushi shrugged his shoulders. “All of us probably could have worked harder at one thing or another,” he said then looked at his phone. There was a text from Sally questioning his whereabouts. 
 “And maybe still can,” Jeff said. “Should I expect an invitation?”
 “Sure, I think,” Atsushi said.  “It won’t be that small a party.”
 “Great,” Jeff said and sucked in his belly. “I’ve held onto the one suit I think still fits.”
 “You can understand Sally’s nixing you as best man,” Atsushi said, “and wanting her brother instead. But annihilation?  She’s not Medea!” 


- © Chuck Teixeira 2021


Chuck Teixeira grew up amid the anthracite collieries of northeastern  Pennsylvania.  Early on, Chuck earned four university degrees, including an M.A. from the Writing Seminars at Johns Hopkins and a J.D. from Harvard Law School.  For many years, Chuck worked as a tax attorney in San Francisco, California.  Now he teaches English in Bogota, Colombia.  Chuck identifies as gay, and his children and their mother have made peace with that. Chuck’s stories have appeared in Esquire, Permafrost, Portland Review, Two Thirds North and Jonathan.  Collections of his published work are available at Amazon.com.

New Poetry by Deborah Kerner










Even If

even if I had held them
back, cut their early buds
they still would have 
flowered and waned
dried up and looked
beautiful and browned
in the haze of autumn
I would have held them
just a bit longer to
feel the thrill of
their shrill greenness
felt their flexible limbs
and their ripe leaves 
inhaled their fragrance
as soon the butterflies would
overrun the deluge of their
flowering, the bees ecstatic
I would have harvested their
herbal raiment 
one more eternal time
spread their essence
into a summer meal
filled myself with their health
and longed to linger
alive before my own waning moment
before slipping back into the ocean
in the ache of a changing season
before evening falls
and the shadow of the day leaves
its whisper as the owl begins
its hunt and 
the subtle night sounds stun


- © Deborah Kerner 2021


Deborah Kerner is a poet and painter living in Ojai, California.

Thursday, March 04, 2021

New Fiction by Lou Normann

 Angel

She stood alone, staring out over the many grave markers sparingly placed in the dark. The cold Florida rain bounced off her hard skin. Angel was alone and no one saw or noticed her, she was alone. The droplets trickled off her robe in a steady stream to the muddy ground. The lightning strike in the distance didn’t cause her to jump, neither did the screeching brakes of a car that slid three feet on the slick asphalt just to the other side of the fence from her.
 The headlights shone bright on her, she didn’t even blink. A man stepped out holding flowers in one hand, umbrella in the other. He wiped his face, signaling the end of a crying fit he must have had during his somber drive. He looked as if he were in pain, not the physical kind; the emotional kind and he stepped over the short picket fence and walked over to a marked grave. Angel stood quiet, standing on a slab of stone surrounded by a puddle of rain water and watched his every move.
 He stopped at the grave marker, shoved his keys in his pocket and looked down. He never even bothered to acknowledge Angel who stood silently in the shadow, her long hair riddled with water.
 His shoes were already soaked. He didn’t care. This was rainy season and Floridians were just used to it. A long disheartened sigh withdrew him, causing him to kneel down and place the flowers on the grave stone.
 “I love you Mom.” he uttered. Then he stood and stared at the grave, let out painful tears that only he and Angel witnessed.
 “She loves you too.” he heard.
 “Huh?” he turned, saw no one, “… who said that?”
 He looked around. The only sound aside from what he thought he heard was the rain pelts bouncing off of everything around him.
 “She loves you.” The voice repeated in the dark.
 His car’s headlights illuminated the entire area; no one else was there – no one, but the marble statue of an angel just feet away from him and they locked eyes.
 The angel was a local legend. Rumor says that she was there before the graveyard was. That it was the people who formed Angelica, Florida who decided to name it Angelica, because the six foot marble statue of an angel complete with wings and a robe that touched the cement slab that held her up was there, and nothing else was. That was back in the year 1927 when a family moving away from Tampa found the perfect spot to build their home. The home became the only train stop in Angelica. The entire town was built around it, and the Angel – who stood as a landmark no one wanted to touch or move.   They left it there to stand the tests of time.
 “Excuse me,” the man said, “… who’s here? I just need a moment alone with my Mom if you don’t mind.”
 Just then his headlights turned off. He looked around, saw no one but the outline of the Angel who was staring back at him with dead eyes.
 “Hello?” he called out.
 He heard flapping, something like wings.
 “Your mother wants you to know that you can stop blaming yourself, she is at peace. She needs you to be at peace too. Can you do accept that, David?”
 “Who’s out here?” he asked.
 He saw the form, the silhouette in the dark, and it seemed like it was moving. The rain drops fell cold on his back but he ignored it. A hand reached out to him. He saw it stretched out, almost inviting him to touch.
 “Who are you?”
 “My name is Angel. I am the watcher of the graves in my care.”
 He walked closer still trying to focus and make sure he was seeing what he thought he was seeing. It was true, he realized that he was speaking to a statue.
 “Uh..?” he squinted his eyes, rubbing them to make sure.
 “David, your mother wanted me to convey the message to you. Release your burden and know that all is well. Live in peace. My work is done. The task shall now rest upon your shoulders.”
 Then she backed off and looked up into the rain-filled sky. She crouched down and in one heaping leap, the graceful being hopped into the air and disappeared into the night sky.
 “Hello?” he called out, “... what shall now rest on my shoulders? Angel?”
 He looked up into the sky, shielding his eyes from the ponding rain. The Angel was gone. He glanced down at his mother’s grave, read the inscription.
 “Elizabeth Jimenez, loving mother, rest in peace.”
 David smiled and his face was totally drenched from a mixture of tears and rain. He walked over and stepped on the cement pedestal where the Angel was standing just minutes before.
 “I’m at peace Mom, finally I can truthfully say that I am at peace.”
 He stood staring out into the cemetery when suddenly the ground trembled underneath. He moved to jump off the pedestal, but for some reason he felt locked on the stand. Without any kind of warning and to his shocked surprise his feet wouldn’t budge. The sensation of something crawling up his legs caused him to shake, but he soon found that he could not move. It felt like wet cement bubbling up from the pedestal. He struggled, but slowly and surely his entire body was stuck there.
 “What’s happening!? Angel! Angel!?”
 In a matter of minutes he was covered from head to toe by the mysterious marble-cement type material, as it defied gravity crawling up his legs, then waste, torso and ultimately his neck. David’s entire body was molded and had changed into that of... an angel. The last thing on his body to turn into stone was his mouth and he screamed in pain as white marble wings violently ripped out of his back.
 “Auuuughhh!”
 No one else heard the horrifying scream in the vast wet darkness of this corner of Angelica.

*
 
 It was a dark, sweltering Florida summer night. The forecast hadn’t called for rain in over a month and the dry foliage proved it. The tormented rain of that dark night is now forgotten as several seasons have come and gone.
 The lone motorcycle coasted off the main road in Angelica, Florida and came to a slow stop at the uninviting graveyard. The rider slowly crept off the Suzuki and walked up past the rusted wrought-iron fence to the grave stones. The helmet was peeled off and the long hair of the rider flowed down on either side of her head. The tall brunette slowly made her way over to the grave that was sat alone on the far end. As she pulled the roses from out of her backpack, a tear slid out of her left eye and dropped softly down her cheek.
 “Daddy, I miss you…” she sighed, “... I love you.”
 She knelt on the ground at the gravestone, and the angel’s eyes followed her.
 
 
- © Lou Normann 2021


Lou Normann credits Stan Lee, Rod Serling and TV episodes of Colombo as his inspiration for writing. The murder mystery thriller has been in his blood since he can remember. Telling stories came naturally since childhood. It was inevitable that his passion with words and language would turn into novels.


Wednesday, March 03, 2021

New Flash Fiction by Felipe Rodolfo Hendriksen

 Objectivity in Art 

He stops the offensive to see a painting by Le Brun he had always admired, the one with Alexander in the tent of Darius. The queens, supplicant, at his feet. The dark-skinned servants, frightful, with their hands on their heads. He’s on the left, great, hands wide open as if he were vainly pontificating or asking for forgiveness. The general sentiment of the piece is one of incredulity. In all that he sees a symbol and an allegory of what was happening and was going to happen. 

Satisfied, he leaves Versailles: he’ll soon have to march down Champs-Elysees.


- © Felipe Rodolfo Hendriksen 2021


Felipe Rodolfo Hendriksen studies Literature at Pontificia Universidad CatĂ³lica Argentina. He currently lives in Buenos Aires.

Tuesday, March 02, 2021

New Poetry by Ute Carson










Seasons of the Body 

Youth is spring, 
blossoms, smoothness, idealized perfection. 
Old age is winter, 
frost, concealment, farewells. 
Only summer and fall build bridges, 
ripeness and golden harvest time 
gliding toward wilting and letting go. 
Through different lenses we may see 
the lustrous skin of youth as cold as marble, 
while wrinkles of age show warmth and wisdom. 
Young eyes may shine bright and proud, 
but lack insight. 
Muscular legs can run fast, 
but be unable to slow down and meditate. 
Dark locks of hair entangle in an embrace, 
while silky gray strands are caressed by the wind.   
The fit body finds admirers, 
but tenderness hovers over frailty. 
The young heart beats with optimism, 
but may neglect to open its chambers to listen. 
If we accept our bodies, ourselves across time, 
we find beauty in every season. 


- © Ute Carson 2021


A writer from youth and an M.A. graduate in comparative literature from the University of Rochester, German-born Ute Carson published her first prose piece in 1977. Colt Tailing, a 2004 novel, was a finalist for the Peter Taylor Book Award. Carson’s story “The Fall” won Outrider Press’s Grand Prize and appeared in its short story and poetry anthology A Walk through My Garden, 2007. Her second novel In Transit was published in 2008. Her poems have appeared in numerous journals and magazines in the US and abroad. Ute Carson resides in Austin, Texas with her husband. They have three daughters, six grandchildren, a horse and a clowder of cats. www.utecarson.com  

New Poetry by Karen Pierce Gonzalez










Childhood Home 

Happily-ever-after did not
paper the walls. Pencils
did not mark inches grown,
or the spine’s curve
bending right when, at 9,
I learned there were only
barbed angles in this house,
a skewered patchwork
of heated arguments, splintered
door frames, tainted truths,
and a roof that leaked
every time I cried.


- © Karen Pierce Gonzalez 2021


Karen Pierce Gonzalez’s fiction, non-fiction, and poetry have appeared in numerous publications. A former journalist and folklore columnist, she facilitates creative and folktale writing workshops in the San Francisco Bay Area. karenpiercegonzalez.blogspot.com
 

Monday, March 01, 2021

New Fiction by Ken Kapp

 Mr. Big

 “Yes,” he tooted, “there’s spring in my step and I must be spring itself!” Moments before, he had popped out of the baby’s mouth, landed on the ground with a comfortable squish, and taken his first steps still wet from the sucking.
 He rolled from side to side taking in his surroundings. Clearly, he was the biggest, and from where he was standing, he was also on the inside track. “I’m Mr. Big,” he muttered tentatively and, when no one said otherwise, shouted, “I’m Mr. Big and we’re going places!” Without another thought he set off at a quick pace down the inside track.
 “Ouch, ouch!” he complained after stepping on a rough stone. This will never do. I’ll need to walk on somebody. He was pleased with his idea and jumped on the first person to come by. “I’m Mr. Big and the only one that counts and my father is richer than yours.” Two steps later he stopped, wiggled a little, and bragged, “Now I’m richer than my father. And I’m going for a makeover.” He bent over and whispered, “You can be my apprentice; I promise never to fire you.”
 Mr. Big chuckled. I’m lying, but as a toe I don’t have any fingers to cross…well, I don’t have them, so it doesn’t matter. It’s not a lie anyhow if it helps me. “OK, we’re here.”  
 Curling back, he looked up at the sign: MAKEOVERS – CHEAP!
 Yes, this is the very place.
 There were bells attached to the door and the ding-dinging reminded him of a cash register so when the makeover artist asked how she could be of help, he said, “Make me look very rich.”
 She smiled. “Follow me, sir, we’ll go into the rich room.”
 Mr. Big felt rich already. I can do anything I want. He reached up and pinched her in a very private place. She was hurt but, as a poor employee, swallowed. However, she had an idea. Instead of bringing him to the green room she continued on to the orange room. There was a picture of an orangutan on the door with a cautionary note that the color treatment in this room was not without risks.
 The list was posted on the door for everyone to read. It was long, including wanting bananas at all hours, swinging from trees, and having delusions of grandeur. But Mr. Big was too lazy to read and in too much of a hurry to even look at the picture. He reached up for the employee’s private parts again but she was one step ahead of him and skipped away.
 “Why don’t you sit down and put your foot up here. This won’t take long at all. And if you wish, I can put a hot wrap around your head. It’ll feel wonderful and I’ll be through before the towel gets cold.”
 Mr. Big leaned back in the chair, put his foot up, and was soon sleeping. Layers of orange paint were applied to the nail and other parts of his anatomy (but no one ever said). He slept on until the paint was dry, dreaming of glory and riches. When he woke, he looked at his orange toe and started to yell,   “Green is the color of …” but was assured that that was old-fashioned.
 “Orange is the new color of riches and you look simply wonderful.”
 He had a moment of doubt until she assured him, “And this special makeover also makes you a stable genius.”
 It was enough to make him a very happy man and in gratitude he left without trying to pinch the makeover artist. He also didn’t pay for the service, which he thought was the first flowering of his genius.

MORAL: The first steps on the path of unrighteousness are often small.


- © Ken Kapp 2021


Ken was a Professor of Mathematics, a ceramicist, a welder, and an IBMer until downsized in 2000. He taught yoga until COVID-19 decided otherwise. He continues writing, living with his wife and beagle in Shorewood, Wisconsin. He enjoys chamber music and mysteries. He's a homebrewer and runs whitewater rivers.

Please visit www.kmkbooks.com.

New Poetry by Rachel Nolan










Pan-Tomb

Does grief transform? Into what? 
There is a controlling and condensing of language,
a welling-up,
a regurgitated mass.

There is a controlling and condensing of language 
indescribable and useless to us, 
a regurgitated mass 
of dead leaves and teeth 

indescribable and useless to us. 
No lesson was taught 
of dead leaves and teeth 
and then some kind of Something Else. 

No lesson was taught,
a welling-up 
and then some kind of Something Else. 
Does grief transform? Into what?


- © Rachel Nolan 2021



Rachel Nolan holds a BA in poetry from Hampshire College, edits for Green Writers Press, and is managing editor for Millennial Pulp Literary Magazine. Past accomplishments include being a finalist in jubilat’s Make a Chapbook Competition in 2017, as well as being a finalist for Heavy Feather’s Zachary Doss Friends in Letters Memorial Fellowship in 2020. Rachel’s work has most recently appeared in Tilde, Trouvaille Review, Second Chance Lit, and Beyond Words Literary Magazine, among others.

Sunday, February 28, 2021

New Poetry by Kris Spencer










Some form of blocking 

Iggy Pop is in his clapboard bungalow  
in Little Haiti, Miami; 
he is talking about his paintings. 
to Sky Arts. 

On his sofa  
a pregnant woman 
carved in foam. 

He works on a canvas 
which might show a face; 
adding a stroke of acrylic, 
he steps away  
and smiles to the camera - 
nothing is slyly transposed. 

Then, filmed at a gallery show, 
he seems hurt 
when his paintings are 
bought as souvenirs. 

Another time, 
talking with Stefan BrĂ¼ggemann, 
he says: 
You block the areas,  
and then you allow the rest to happen. 


- © Kris Spencer 2021


Kris Spencer has written seven books, most published by OUP. He is a regular contributor to magazines in a journalistic career that spans over 20 years. His poems have been published in a number of journals; most recently, Acumen and the Balloon Literary Journal. Kris is a Headteacher living and working in west London. He was born and grew up in a village outside Bolton. Previously, he has studied, worked and lived in Hull, Cincinnati, Oxford, and the Bailiwick of Jersey.

New Fiction by Nick Mann


Russia, 40’000 BP
Homo Deus

Cold hands burn in the winter chill…
— Lily Rose, Winter
 
 Snow crunches underfoot. Cold, painful. He must move quickly if he’s to see another sunrise. He breaks out into a sprint. Thick, muscular thighs, well developed from years of experience, pump hard. He sprints past a line of trees—too small—then sees a big one to his left. He scrambles up the fat trunk with ease, begins to climb the branches to put more distance between himself and it. He stands on a branch, leans back against the trunk, panting to get his breath back. It, a flash of grey fur and claw, races past the tree before realising he has disappeared. Confused, it wanders around, sniffing the air. A breeze of frost-wind blows through the branches and the man tightens his grip. His hands, rough, hairy, are bone-white. He can’t stay here for much longer, but he can’t get down just yet. The animal below stops meandering, cocks its head ever so slightly. A twitch of the ears and it’s off, back the way it came. The man sighs, waits until it is out of sight before climbing down.

 The man finds the river nearby. No more than a trickle, he treks up the valley, through the wet grass and snow-laden trees, until the trickle becomes a stream, until the stream becomes a river, until the river becomes a waterfall. Behind the waterfall, he finds his people again, safe and sheltered from the wet and cold. The smell of rotting flesh reeks from the far end of the cave where’s a scattering of dead creatures, some scaly, some furry, some small, some big, and a smattering of wood—branches, twigs, leaves—where a fire is yet to be lit. When his people see him again, a babble of noise bursts the silence. He embraces all of his men with big bear hugs, and then she comes to him. His woman: crystal blue eyes, thick black hair, small-breasted, tall. They touch foreheads for a moment, and he allows himself a moment to relax in her arms. Then they separate and he has to be strong again. Strong for his men, strong for himself. He goes to the back of the cave to get something to eat. Something small and slimy, with eyeballs bulging out of their sockets. He gulps down big chunks of meat, then picks the bones out of his teeth and throws them to the side.

 Night closes in. He gets up slowly, careful to not wake anyone, and tiptoes to the mouth of the cave. All around him, the snow on the trees and forest floor and the torrential waterfall glow in the moonlight. He looks up at that silver disk in the sky and shudders. He looks away from the moon to a clear patch of blackness, briefly grazed by two shooting stars. He sighs. He stays out here for a bit longer, contemplating the inexpressible beauty of nature before going back inside and huddling with his people.

 The next day, the men are up early. There’s a certain energy among them, animating their movements and lifting their tongues. They grab their spears from the back of the cave and then they’re out. Past the waterfall, they follow the water down, until the waterfall is a river, until the river is a stream is a trickle, past the trickle until it widens up into a river again and the river runs into a lake. The lake is big, too big to try walking across, but small enough to see the other side.

 Silence. The air is heavy with silence. Not a single animal can be seen, hidden among the snow-laden vegetation. One of the men motions for the others to stop. He points at the floor, ten feet ahead, and leads the group to it. A footprint. As big as his hand, with four toe marks. Looking up, they can see the rest of the track going backwards. They all share a look and he, the tribe leader, nods affirmative. They follow the tracks back through the bushes, around the lake and into the valley. The wind is biting and the sun hides behind a cloud. They are on the verge of giving up when they hear it: a low howl, somewhere distant. They follow the tracks further, losing and finding them in quick succession. They’re coming out of the forest when they see it: a grey furred creature, alone.

 The men break into a sprint; the creature sees them coming out of the corner of its eye. The tracker and the tribe leader lead the pack to surround the animal. It whips around, snarling and snapping at the men, feeling each sharp point dig into its fur, enraging it all the more. It jumps up onto its hind legs and lunges for the tracker, connects and takes his arm off. The thing shakes the man’s severed arm from side to side, spraying blood everywhere, and the man screams. He drops his spear and tries to cover his bloody stump with his other hand but it’s futile. He’s a dead man. The animal bears down on him, tears out his throat—and finds a spear in its own throat. The tribe leader grunts, pulls out his spear, blood running down the tip.

 Two other men put the animal over their shoulders, and then, with one last look at the tracker, already starting to freeze, they head back. Up the valley, around the lake, up the river, the stream, the trickle, the bottleneck, up and up until they come to the cave behind the waterfall. It’s a long journey, and they take turns carrying the animal every so often.
 
 When they enter the cave, the tracker’s woman looks for her man. Upon seeing him not there, she lets out a wail of grief. The tribe leader places an arm around her to comfort her but she pushes him away. She needs space, time. He too needs space. He is numb; his men are numb. They heave the animal onto the fire pit and crouch down, thinking about how to light the fire. The man, the tribe leader, still holding his spear, suddenly shouts and throws it down. His woman comes rushing to him, and he pushes her away. He staggers to the mouth of the cave, tears filling his eyes, and he opens his mouth let out the deepest, longest shout his people have ever heard. With all eyes on him, they don’t see the flame hidden in the kindling.


- © Nick Mann 2021


Nick Mann is currently studying Creative and Professional Writing and Film and Screen Media at St Mary’s University in Twickenham but is originally from Royal Wootton Bassett. As a writer, Nick is a jack-of-all-trades because as well as prose, he's written poetry, screenplays and adapted a short story into stage script. Nick also plans to write an original play at some point.

Friday, February 26, 2021

New Poetry by Melissa Chappell










Twenty Summers

Twenty summers have passed,
and the river’s memory stretches
warm on a boulder,
waiting for her lover
as I wait,
in the deep hold of winter,
a stone in my shoe,
bothersome boulder
where many 
burnished suns ago,
I excelled
in every way
in his eyes,
oceanic gray
watching me
stretch
above the waters
roiling
as every 
pool of remembrance is
in flames,
and I am warm,
restless beneath
the ice floes,
bereft of your body,
twenty summers gone,
twenty silvered stones,
twenty rivers reimagining
us
twenty times
again and again,
that I have lost you.


- © Melissa Chappell 2021


I am an author living in S:outh Carolina, USA. I have been published in Amethyst Review, Dreich Magazine, A New Ulster, BlazeVox, and Adelaide Literary Review. My latest publication was Doors Carelessly Left Ajar (Alien Buddha Press, 2020).  I was a Pushcart Prize nominee in 2019 and a Short LIst Nominee for the Adelaide 2021 LIterary Award. Thank you so much for taking the time to read my poetry. 


New Poetry by Milton P. Ehrlich










Beyond the Next Horizon

I’m entering the final decade of my life
and will wait for my next transformation.
I don’t plan to spend any more of my savings—
knowing my money could be enjoyed
by the extended family I leave behind.
And when my turn comes to leave,
I hope it surely happens as seamlessly
as getting on my warm winter jacket
and fitting my arms into the sleeves.


- © Milton P. Ehrlich 2021


Milton P. Ehrlich Ph.D. is an 89-year-old psychologist and a veteran of the Korean War. He has published poems in Poetry Review, The Antigonish Review, London Grip, Arc Poetry Magazine, Descant Literary Magazine, Wisconsin Review, Red Wheelbarrow, and the New York Times



Thursday, February 25, 2021

New Poetry by Amy Bobeda










It’s called apheresis
it’s the thing–– 

I have a friend you should see in Santa Rosa
the doctor in the purple shirt says 
a blood cleanings without
crystals
on the windowsill
a $4000 dollar treatment
an appointment in a week
and if it works––

the language of medicine
once Greek
transposed Latin and English
to become a militarized
word
inventing scenarios
graphically understood
the 17th century
introduced: 
battle, enemy
and attack
declaring war against
nature
of the body
of the land
man’s attempt to 
disband 
fathers of Olympus
who
wared their own


- © Amy Bobeda 2021


Amy holds and MFA from the Jack Kerouac School of Disembodied Poetics where she founded Wisdom Body Collective, an artist collective rooted in the sacred feminine. Her work can be read in Humble Pie, Vol 1 Brooklyn, and elsewhere. @AmyBobeda on twitter. 

New Poetry by Karlo Sevilla










Rosary

Year One

The penance of one who looks for the disappeared
The penance of one who looks for the disappeared

Year Two

The penance of one who looks for the disappeared
The penance of one who looks for the disappeared

Year Three


- © Karlo Sevilla 2021


Karlo Sevilla of Quezon City, Philippines is the author of three poetry collections: “Metro Manila Mammal'' (Soma Publishing, 2018), “You” (Origami Poems Project, 2017), and “Outsourced!...” (Revolt Magazine, 2021). Recognized among The Best of Kitaab 2018 and twice nominated for the Best of the Net, his poems appear or are forthcoming in Philippines Graphic, Small Orange, DIAGRAM, Matter, Eunoia Review, Black Bough Poetry, Ariel Chart, Sanctuary, and elsewhere. 


New Poetry by M.J. Iuppa










Left Behind
                     ~ after Meindert Hobbema’s painting,
                                The Avenue at Middelharnis

Infinite— as you might imagine, the air
suddenly welcoming in a time where you
are unsure of each step on a wide dirt road,
gauging deep ruts made over time— mud’s
thick softening that hardens to shape stead-
fast into an emotion echoing the sound of
parting, that’s the wavering of slender trees
lining the avenue that holds up the clouds—
                                                  the clouds . . .
 never seem to disappear . . . do they?


- © M.J. Iuppa 2021


M.J. Iuppa’s fourth poetry collection is This Thirst (Kelsay Books, 2017). For the past 32 years, she has lived on a small farm near the shores of Lake Ontario. Check out her blog: mjiuppa.blogspot.com for her musings on writing, sustainability & life’s stew.

Tuesday, February 23, 2021

New Poetry by John Maurer










Individualized Reality

Shawn Carter taught me that nothing unreal exists
but that doesn't mean untruths aren't as ubiquitous
as drug dealers with sun-faded tribal tattoos

It's not a lie if you believe it
it's two lies if you convinced yourself to believe it
A lie for them and a lie for you
isn't this the contemporary template for a career?

Failure taught me to fear success
but not to stop chasing it
Hate taught me to fear love
but still, every day she wakes up and I tell her I adore her

If you like solving math problems, you aren't good at math
One must reserve themselves for the unsolvable
The zero too heavy to be carried over
I know I'm wrong as soon as I enjoy being right


- © John Maurer 2021


John Maurer is a 26-year-old writer from Pittsburgh who writes fiction, poetry, and everything in-between, but his work always strives to portray that what is true is beautiful. He has been previously published in Claudius Speaks, The Bitchin’ Kitsch, Thought Catalog, and more than forty others. @JohnPMaurer (johnpmaurer.com)  


New Poetry by Kitty Jospé










After the Carnaval in Trinidad— Tabanka

I 

T o feel longing for what is no longer: In Trinidad they say tabanka:
A  yearning to be a wound’s nectar, but there's no flower.  Ask
B eauty to wind its silk, how it wants to be. What is known
A s quality ?  Watch how spirit dances, performs its aria.
N ourishing music that soothes.  What kind of dancing limb,
K arma, carried by wind, crafted by breath?  Pause in its comma,
A s this ache rises, like geese in winter, gone at sunset.

II

Some say longing can only fill with more
of itself—a yearning to be a wound’s nectar,
a sweet healing offered to bees so they may store
honey on the hive’s shelf.  We watch their

dance reeling, does it reveal some purpose,
like our desire—our soul’s unfolding—
this spirit dance we craft with wind, fire
of our breath?  It is winter, the ache in us

rising to join again a world, leave the frozen
edges like the geese rising from the break
in the ice to fly to warmer climes. Those chosen

make so smooth a splice indeed, you cannot
see the join. Nothing needed to get, what’s got:
but love of life, in self and others like hand in glove.


Note: “Tabanka” is particular to the culture of Carnival in Trinidad, and the feeling when it is over. 
Thus the acrostic in capital letters of Part 1.

- © Kitty JospĂ© 2021


Kitty JospĂ© loves the possibilities of language! After living and working in Europe, she delighted in teaching French (MA, NYU 1984).  Since 2008, midway in completing an MFA at Pacific University, OR, she delights in  moderating poetry appreciation discussions at two of the Rochester, NY Libraries.  Popular reader and speaker, she also has 6 books and appears in many anthologies and reviews such as The Ekphrastic Review, Atlanta Review, The Orchard Journal.



Monday, February 22, 2021

New Poetry by James Diaz










Poem in which my mother cuts off all her hair, 
asks for 150 dollars 

See this picture here
it's a wounded deer, it's a scoliosis ghost
sat in wheelchair 
under ER fluorescent light 
I swear I never came from there
but I did 
I did

it's her lamentation - I know - for her mother 
her sackcloth and ashes 

I imagine how she held the scissors 
until my father relented and took them in his hands
and cut it all away;

the pain

it's still there 

only the hair is gone

and her mother 

there's nothing sadder than knowing 
that you can't really fix any of this

how grief, like Samson’s strength, 
was never in the hair

it was just there
just there.


- © James Diaz 2021


James Diaz is the author of This Someone I Call Stranger (Indolent Books, 2018) and Poetic Disasters (forthcoming, Alien Buddha Press, 2021,) as well as the founding Editor of Anti-Heroin Chic. Their work has appeared most recently in Cobra Milk Mag, Bear Creek Gazette and Resurrection Mag. They live in a far too cold and snowy upstate New York, where they are waiting patiently for the Spring. 

Sunday, February 21, 2021

New Poetry by Peter Magliocco










The Lady Diarist from Wales, Who Read the Poets as Washington Burned (1968)

Sometimes the spirit is left to crawl
with a lost dog in the streets,
bound to whatever unites the living
in life.

Even if it's the lowest common denominator,
even if it's the wind riffling
through caged beings
evolution has yet to define
in better shape, towards a better end:
whatever propels our particles
into the sea of human destiny.

She wrote these words in the library
of surrounding streets
before they were singed by fire & smoke.
Her personage modeled a helmet of hair,
with each ebony strand in alignment
compacting the infinite curls taking root.

As the black citizens roiled about
she sat writing on a tattered porch,
strewn with burnt-out cinders,
hardly noticing my M.P. jeep passing;
or seeing the olive drab troops either
who came to protect her building
from vandals near the White House.
Wood smolders best, she scribbled,
but please protect the cherry trees

& the flame of immortality
in Shelley's heart
today so far away.


- © Peter Magliocco 2021


Peter Magliocco writes from Las Vegas, Nevada, and has had poems published through the years in print and online publications. His latest poetry book is The Underground Movie Poems from Horror Sleaze Trash.


Tuesday, February 16, 2021

New Poetry by Michele Seminara










Embody

This body is not a temple but a vehicle 
for pleasure and pain.
This body is not a vehicle but 
a manifestation of pleasure and pain. 
Pleasure and pain are both sacred 
and profane revelations of body.

My body swimming in water is a mere drop in a body of water.
The body of water sometimes appears as a wave.
Wave and drop are only briefly appeared
by mind’s slippery karmic confluence. 

When I swim with you in this precious body of seawater,
we co-create. Later, when sense perceptions urge 
and attachments merge, we procreate.
Roused energies rise in steamy flesh 
and ahh into the other’s supple body.

Sometimes the ahh dives down like a fish and quickens into being. 

Three babies have anchored in my maternal cove:
nascent body/minds blooming in mine 
as I float like a yoke on the surface of 
this shimmering ocean’s grand dream. 


- © Michele Seminara 2021


Michele is a Sydney poet and mother of three and chief editor of literary mag Verity La.

Monday, February 15, 2021

New Poetry by John Johnson










Black and Blue

KNOCK, KNOCK, KNOCK.

No worse alarm than an impatient delivery man.
My eyes wide open let the sunlight in.
Like an old school darkroom, the film reel exposed.

The image now ruined.
My dreams interrupted.
Black and blue tones fade.

KNOCK, KNOCK, KNOCK.

Stop banging!
Groggy, startled, half-dressed, and cold.
Jumping out of bed as quickly as I can.

The cold air of the bedroom slaps me.
Rocketing to the top of the stairs when it happens.
Wood staircase meet white tube socks.

BOUNCE, BOUNCE, BOUNCE.

Damn cold feet in the middle of the night.
Slippery as a sheet of ice, my feet fall out from under me,
Gravity cannot be defied.

SILENCE.

In a flash, I am flat on my back at the bottom of the stairs.
Surveying the damage--wondering what is broken.
The delivery man will have to wait.

All I see is black and blue.
The same colors
of my dreams.


- © John Johnson 2021


John Johnson is an author and entrepreneur from McLean, Virginia.  His recent poetry has been published in The Boston Literary Magazine, The Poet, and Sundial Magazine.