Thursday, March 28, 2013

New Poetry by David Ades










Seeing You, Briefly

In this city of rivers and bridges
always looping back on itself,
I no longer know
how to measure distance.

You flitted onto the screen,
hands on hips,
before fading off again.
I would bring you nearer,

whisper into your ear
if only to whisper into your ear.
So short, our passing lives,
too short for words

not to be spoken.
There is ice on the roads today
and night awaits.
Distance tugs at my sleeve.


- David Ades 2013


David Adès is an Australian poet currently living in Pittsburgh. His poems have appeared widely and are forthcoming in Australian and American literary publications including 5 AM, Bewildering Stories, Cordite Poetry Review, San Pedro River Review, Red River Review, Illya’s Honey, Rune Literary Magazine, Poetica, Pittsburgh Post Gazette, The Fourth River and Spiritus.



Wednesday, March 27, 2013

New Poetry by Joan McNerney










Virtual Love

A
long
slim
poem
full of hyperbole
and alliteration drifted
into the wrong e-mail box.
There she met an erudite
rich text format manual.
They became attached.
Her fleeting metaphors
lifting his technical jargon.
They were a word couple
spinning through cyber space
giddy with inappropriate syllables.


- Joan McNerney 2013



Joan McNerney’s poetry has been included in numerous literary magazines such as Seven Circle Press, Dinner with the Muse, Blueline, Spectrum, and three Bright Spring Press Anthologies.  She has been nominated three times for Best of the Net.  Four of her books have been published by fine small literary presses. 


Tuesday, March 26, 2013

New Words and Inks by Wayne H. W Wolfson

THE Job 3

I had slipped into reverie when I heard that the job would be, "down there", which everyone in the life knew where that was shorthand for. Maybe I would drive the extra miles afterwards and see her. We would have to split up  lay low and it might hedge my bets of not getting caught, one less steely eyed gringo trying to melt back over the border after the bubbling up of trouble. Ana, all the fights, broken promises, it would have melted away in the sun which bakes all the motion out everything down here except seemingly the flies and those who loose their cool and run to get out. It would take little enough effort to find out where she ended up. I would not even have to worry about being too subtle in my inquiries as common sense dictated someone who had just done a job would not be calling the slightest attention to themselves by asking around about anything.  Half of the crew was young, out to make their bones but not patient enough to do it in the right way. We met in a garage that was used for both cars and small planes that would buzz mosquito like over the baked landscape,  which was oven like despite its size, even the shadows were set at a slow simmer. I had two other direct peers who, as Ricardo paced back and forth toy wound too tight, not paying enough attention to the plans, gave me a look that told me they thought the hex was on and something bad was going to happen.  The driver was the nephew of a pal from the old days whose ticket was punched not by the lifestyle but a botched surgery, he was young but versed in the ways and so would be ok.
"You are a long way from Dublin Joyce."
He was glad to see a familiar face and although he did not say it, as we shook hands I picked up on his counting on me to get us through this in one piece, the defacto leader as Ricardo seemed more interested in posturing, acting scenes from what the movies told him was hard. 
There would now be two meetings, this pantomime of one used to placate Ricardo and then back in my hotel room which I would have to make sure was clean before hand, not too hard to do as it was basically a broom closet, the real one where we went over a "B" plan for when Ricardo made things turn sideways. I shaved and quickly did up a few hand drawn copies of a map to give out with the points of interest, escape, hospital and hotel with even smaller, hotter rooms but where they did not ask questions so long as you paid up front in cash. They all crowded in bumping shins on my bed's corners. Half of me had the urge to tell everyone that this was not going to work, we should all split but that would bring on a whole new set of problems. I think perhaps Ricardo just wanted to let the mad dog loose and did not care if it were on a job or to hunt down someone who he thought had betrayed him. He could do what ever he wanted and would not face censure as he could claim it had been a case of bread off of his table, A matter of semantics but he would be half right. I bit down the urge and fast, everyone was edgy and looking to me. "The thing is, not about not getting caught, it is about not getting caught down here. " I took that worry off their minds by letting them imagine it was already a foregone conclusion,the stripping away of extraneous thoughts and worries it allowed for better concentration. I looked around, almost everyone was here except of course Ricardo, his cousin and his friend. I did not feel obligated to save their asses as either of them could have at any point tried to help adjust Riccardo's attitude and make my leadership unnecessary. 
We all had to put on masks which was not his worst idea but i noticed he only wore a bandana hooked over his nose and covering his mouth. Our masks were all animals, sad mascots from imaginary teams. Joyce asked why he too did not have to wear one. With a wink he said that down here everyone looked alike and he could easily blend in unlike us. The sweat was stinging my eyes the smell of something plastic burning, muffled voices yelling "Go-go-go" as we jumped out at the curb, poor Joyce a drunk looking raccoon with a painted on crooked smile. From the get go Ricardo came in heavy which was not necessary as the only people in the place was an old guard a few years past retirement, the owner's wife and two woman looking at bracelets as a way to kill their lunch break. Ricardo smacked the guard with the nozzle of his gun which was long and square. He went down with a moan, someone opening a birthday gift in front of everyone at a party only to discover it is not what they wanted. The woman behind the counter was emptying the blue velvet trays as fast  as she could into into what looked like one of the hotels stained white pillow cases. When she was done Ricardo made a "Tch-Tch" noise and the woman's eyes went wide, I was sure he was going to shoot her. I had been next to him scoping out if there were any hidden cameras. I kept hitting counter edges due to my bunny heads poor periphery vision. I squeezed his shoulder the way a father might. He winced but did not fire. Right before we left though he did take pains to complicate things by shooting out each of the glass display cases. Back at the garage, a piece of plywood stretched over an upturned oil barrel, everything is dumped out. All the guns are put on the table forming a sort of violent border frame to the sparkling mosaic. Only then does Ricardo punch me in the face. I knew no one agreed with him on this not even his cousin but I just took it as i was hours away by my calculation from ceviche and ocean breezes. 
"You do not interfere with how I do a job,,,,,"
"If you had shot somebody you would have forced the police's hand, no one would get in or out and us killing time waiting eventually a desk clerk or bartender  would be tempted by the reward or to make things easier for a retaliative already on ice and turn snitch. As it is had you not shot up the place we could have had a nice head start of a few hours. He went to punch me again and this one I decided I would not take when his cousin stepped forward, he looked nervous, he opened and closed his mouth several times without saying anything, fish out of water taken off hook. Ricardo forgot about further fighting as he had enough dumb animal instinct to worry about what his cousin may report back to his father. The stuff was dropped off as agreed upon, two parties, four witnesses made up of Ricardo and his cousin, Joyce and I so that no one could abscond later claiming it had all been delivered. 
A roll equal to half the takes value minus various fees was given to us, the rest to come after the fencing a few weeks from now. I stopped by the hotel to grab my bag, as a joke or maybe a "fuck you" Ricardo had picked the lock and left the rabbit head on my bed for anyone to see. I jammed it into my bag. 
Back at the garage we did the split. 




I shook hands with everyone including Ricardo and his people. I was just glad it was over with no one being shot or pinched even if my nose was throbbing. 

I told Joyce not to take anymore south of the border jobs as all the old timers were dying off or retiring. In their own ways the jails down here are as bad as those in Russia minus the chess games in-between the torture.

I hopped on a bus as to avoid calling attention to myself by renting a car. The bus lurched across the expanse of highway in surprisingly short amount of time. I think maybe I had been lulled to sleep by the slow parade of cactus and hypnotic circling of vultures.
In the next town I felt it ok to grab a coffee and rent a car. I also put out feelers to a few old local contacts to see if I could get a lead on where she may have landed. I told them I was on the road and would touch base tomorrow. Giving them that time frame would allow them to get things done but it also hinted that I was still in California in case word of the job leaked out. I drove most of the day, singing to myself as the radio offered up none of its songs.
Everything which took concentration and nerve over with I slept straight though to the morning, the bunny head having been pulled out of my bag for me to get my dop kit sat on the bureau next to the snowy television. a perverse hunting trophy.
The next day I made some calls. They had found her easily enough. I could tell Pepe wanted to ask what I was going to do but dare not as it was against his professional code;

"Just to say hello." 
"Ok boss, well let me know if there is anything else you need."
"Vio con huevos" I sad, we both laughed despite how old the joke between us had become.
The town was a few hours away. It was nice enough to bring in tourists and some of the boho's who wanted to live on the cheap, bad enough that she could find some kind of work.
I parked my car and found a clean room off of the main strip as to be able to sleep without the raucous noise of tourists excited ot have briefly escaped their everyday lives keeping me up. 

She would be at the second best bar as the best would have too much security and a cut of all money made would always have to go to the boss.
I slid in sideways and took a seat at the far corner of the bar. I ordered two drinks, one for my thirst one for old time's sake. Noise coming from a booth, i looked sideways without seeming to do so. There she was in a booth surrounded by tourists, all male and fresh faced from the suburbs. She was making her bread by letting whom ever ponied up the money take photos of her feet which were now intricately tattooed as she skillfully lifted tiny scorpions out of a brandy snifter. I had seen enough.
I walked some of the back streets hoping to run into Ambrose Bierce . I had dust from the road on my shoes, i stopped at a shine stand. 
I sat on the cracked green leather chair putting my feet on the dulled pedals.
"A shine and a wax Senor Bunny?"


FINIS


- Wayne H. W Wolfson 2013

www.waynewolfson.com

Thursday, March 14, 2013

New Poetry by Samantha Seto










Moving Apartments

We wrangled noiselessly.
It’s not as if a recorder needs to hum.
The clocks taught us into existence.

In the painting of a mock funeral, we intercept traffic.
Our dog stayed, we have our housing flexibility.
Broke amounts gamboled and stolen.
While wealth peels off, a tiny button falls off tablecloth.

My father closes the door,
scared he will wake me from sleep,
a thesis in congested paper web in my headache.

Above a small stiff sheet of white bedroom.
In painting impracticalities coming nearer out of time.
Fixed or moving furniture of step by step,
he takes off with his boxes.

It came to me then.
It was time for the move but my dad didn’t suit plans.
From the summer on the coast to the west winds.


- Samantha Seto 2013


Samantha has been published in various anthologies including Ceremony, Soul Fountain, Blue Hour, Carcinogenic Poetry, and Black Magnolias Journal. She studies creative writing and is a third prize poet of the Whispering Prairie Press.


Tuesday, March 12, 2013

New Poetry by Stuart Barnes










Hourly I wake,
crave and roar,
nurse myself, shit,

sleep, then dream
A revelation,
A thirty-three

-year-old miracle
severing
psychiatry’s

funiculus,
depriving
involution,

effacing
the universe’s
most God-awful

transgression.

Miserere nobis!
Miserere nobis!
Miserere nobis!

Miserere nobis: Have mercy upon us


- Stuart Barnes 2013


Bio: Stuart Barnes is currently working on Blackouts and other poems, a manuscript dedicated to the memory of Gwen Harwood. He edits PASH capsule, an online journal of contemporary love poetry. Poems are forthcoming in Southerly, sacred / profane, Social Alternatives, Mascara Literary Review, & Assaracus: A Journal of Gay Poetry. Twitter: @StuartABarnes

Monday, March 11, 2013

New Poetry by Donal Mahoney









New Life Begins

white hips a soft fist
for the wrist of your waist
black hair in a spill

on your shoulders
small whirlpools
your ankles

green streams ride
your calves
blue rivers your thighs

I finger the flute
on the back of your neck
rise and slip in

at that moment dawn
and new
life begins


- Donal Mahoney 2013


Nominated for Best of the Net and Pushcart prizes, Donal Mahoney has had work published in Bluepepper and elsewhere. Some of his work can be found here: http://eyeonlifemag.com/the-poetry-locksmith/donal-mahoney-poet.html

Thursday, March 07, 2013

New Poetry by BZ Niditch









IDES OF MARCH

Glossed underfoot
by the waters' foliage
half buried landscapes
between images
of the sun's clenched
flakes on branches
still speckled
at first light
on sleepless trees,
wet twigs of aspens
are mute as lichens
where a turnstile opens
over the deserted bridge
along a brackish river
near the home harbor
outside of Sydney
on the Tasman Sea
uncertain of your secrets
of fate, absence,silence
at an hour
on your self built boat
when the wind wanders
by the shore ripples
near sea memory voices
of waning bird song
on pine trees seen
above ditch water sand,
running the boardwalk
of a familiar bay
when a beached whale
floats upward
pale and unable to speak
you wish the wave
of Melville's hand
here in the South Pacific
to welcome departures
of the tide.



- BZ Niditch 2013



B.Z. NIDITCH is a poet, playwright, fiction writer and teacher. 

His work is widely published in journals and magazines throughout the world, including:  Columbia: A Magazine of Poetry and ArtThe Literary ReviewDenver QuarterlyHawaii ReviewLe Guepard (France); Kadmos (France); Prism InternationalJejune (Czech Republic); Leopold Bloom (Budapest);  Antioch Review; and Prairie Schooner, among others.  

He lives in Brookline, Massachusetts.

Wednesday, March 06, 2013

New Poetry by Neil Ellman






Wald-Hexen (Forest Witches)

(after the painting by Paul Klee)

There are more of us hidden
among the tress and undergrowth
invisible in wood itself
than minds can sense
than amulets can counteract
our spells and runes
our sorcery in the veins of leaves
we conjure wraith and shade
brew cauldrons-full of heresies
we summon, you comply
becoming one with us
in the forest of your doubts.


- Neil Ellman 2013


Neil Ellman lives and writes in New Jersey. Hundreds of his poems, many of which are ekphrastic and based on works of modern and contemporary art, appear in print and online journals, anthologies, broadsides and chapbooks throughout the world.


Monday, March 04, 2013

New Poetry by Howie Good







THE ORDER IN DISORDER
Everywhere I go a different man keeps checking his phone and smiling. I myself carry a little notebook. If I happen to have a thought, no matter how trivial or melancholy, I write it down. Sometimes what I write down isn’t a thought at all, but just a word or phrase. You call me a “depressive realist”; I prefer the term “tragic optimist.” As I start out on my morning walk, a gull is resting its head under a wing. They say Munch could paint a landscape without once looking up from the canvas. There are so many more stars than I remember there being.


- Howie Good 2013


WAKE IN FRIGHT

Having fallen asleep in one city, I somehow woke up in another. The lame hobbled about the street in a busy kind of way. An accordion I hadn’t realized I had been hearing for a while suddenly stopped playing. Instead, flames waved from the windows to get my attention. My face must have betrayed what I was thinking: I would be happy with a front window that looked out on telephone poles receding into the distance. For now, though, I must resign myself to exaggeration and paranoia. Imagine a cloud sniffing like a dog at a dusty clump of weeds.


- Howie Good 2013


WHY TRY

The darkness gleamed
like Lincoln’s stovepipe hat.
It was either very late at night
or very early in the morning,
but whichever it was,
I filled my pockets with apples
from a tree while we waited.
Around the corner, I saw, faintly,
the occasional Cupid crumble.
I began to wonder, Why try?
The flash of falling water
was the only answer I ever got.


-Howie Good 2013


Howie Good, a journalism professor at SUNY New Paltz, is the author of five poetry collections, most recently Cryptic Endearments from Knives Forks & Spoons Press. He has had numerous chapbooks, including A Special Gun for Elephant Hunting from Dog on a Chain Press, Strange Roads from Puddles of Sky Press, and Death of Me from Pig Ear Press. His poetry has been nominated multiple times for the Pushcart Prize and Best of the Net anthology. He blogs at http://apocalypsemambo.blogspot.com

Tuesday, February 26, 2013

New Poetry by Louise McKenna










Puffer Fish

Here we lie abandoned on the beach
like deflated balls,
ugly as toads.

It is a mystery how we got here,
how we oozed from the ocean's heaving lungs,
slippery as phlegm.

You poke at me with your foot
for I am too vile to touch.
There are signs of life: I flip suddenly,

like a foetus in the womb
and my dumb mouth opens
on a lethal bolus of air, staring

with my unblinking bloodshot eye
as if an ember of afterthought floats
in my iris before death.


- Louise McKenna 2013




Rat's Skeleton

I unearth it from the humus beneath my roses:
a chain of vertebrae, exquisite skull,
ribcage like honed shards of porcelain.
I remember him dying, slowly as a martyr
where he lay poisoned
in the cruciform shadow of our garden fence.
He seems so brittle. I could snap his matchstick femurs,
fracture those toy toes. In life he was untenable,
the substance of shade slipping
through interstices between day and night.
And I loathed him. Now through the empty windows
of his eyes there is only darkness;
through the gables of his ribs, only untenanted space.
This is what we are all pared down to.
I feel death scuttle down the stairwell of my spine
before I reassemble him in the soil,
hiding him from the teeth of this antipodean light.
I will no longer dig here.


- Louise McKenna 2013


Louise's first poetry collection, A Lesson in Being Mortal was published by Wakefield Press. She has since co edited Flying Kites, the Friendly Street Poets anthology, also published by Wakefield Press. Her work has appeared in Poetrix, Eureka Street and Mascara Literary Review. In 2012, she was one of the poets who appeared in Light and Glorie, an anthology of South Australian poetry, published by Pantaenus Press.


Tuesday, February 19, 2013

New Poetry by Tendai Mwanaka









Playing to death’s gallery

December’s
last breath of
December’s
sun, like us
is
beyond our boundary’s stiff netting
Towards
the sun’s fast setting
We mark
time together
as we
dip our toes
into
Friday’s evening

Night
time is a beckoning glance
trying
to beat the clock
as it
turns into dusk
In the
final heat fanned
by the
last of the sun

Casting
shadows of wagging tails
Shadows
of no complexion
Night
yawns in the expanse of stars
dims and
quells

Electing
this quite night
impatient
death furious and scoffing
at my
refusal to go with him
His
hunger is a brush fire
Says my
death is down the
little
dirty road, a bit down
Promising
me that he will be back
very
soon for me

Life is
too technical for me
Wandering
through my casual
brain’s
day trading
a score
tricks on my brain.
Trying
to learn how not to die
half
knowing, half not
knowing
how
to catch
it before it tells me
to try
to cancel it

But
still leaving upto this face
a face
without a name
The
strongest one among us
has to
raise his string
An
imaginary string hallowed by absence
above
all of our reach
for us
to get past the scales
that
don’t ask anyone's permission
and
accompany the frightened children.



- Tendai Mwanaka 2013



Untitled * 2

where
there is no choice
we deal
with what
we did
not choose
and
choose what we
do not
want to choose.


- Tendai Mwanaka 2013


Voices from exile, a collection of poetry on Zimbabwe’s political situation and exile in South Africa was published by Lapwing publications, Northern Ireland in 2010. KEYS IN THE RIVER: Notes from a modern Chimurenga, a novel ofinterlinked stories that deals with life in modern Zimbabwewill be published by Savant books and publications, USA in July 2012. Logbook written by a drifter, and Voices from exile were both short listed by the Erbecce press poetry prize in 2011, and 2009 respectively, nominated for the Pushcart twice, 2008, 2010, commended for the Dalro prize 2008, nominated and attended Caine African writing workshop 2012. Published over 200 pieces of short stories, essays, memoirs, poems and visual art in over 100 magazines, journals, and anthologies in the following countries, the USA , UK , Canada , South Africa, Zimbabwe, India , Kenya, Cameroon, Italy , France , Spain , Cyprus, Australia and New Zealand.

Saturday, February 02, 2013

New writing by Jonathon Kane











AT THE HEIGHT OF THE RAISED HAND

Even the hired clowns never knew what hit them, their tearstained faces running off into an oblivion of polyester, their paintbrushes thrashing around in a silver bowl of cold tomato soup, their parrotcolored paints streaking across white linen tablecloths -
while a nearby abandoned piano made the most of its only tune, keeping an eye out for the coatcheck girl helping herself to hundred dollar bills from every finely culled wallet she rubbed up against with the storytelling lines of her hands -
as the stragglers blocked as best they could the muttering walls, repeatedly announcing the abbreviated names on the guest list, including the young cousins hiding in the discarded folds of the paintstained wedding dress, playing cards in the hope of drowning out the din on the other side of the ruined silk -
where the lofty dreams of lovers grew green horns and a tail, leaving only the lightfooted priest untouched, and alone in signing the register, his inscription reading: This will not stand.


- Jonathon Kane 2013



THIS HOUSE FOR SALE

Vines of jasmine covered the mausoleum, the latest scent in a heavyweight night already far from sleeping, winding its way over the threshold shaped like the breadboard you were fingering after dawn with the dread of indecisiveness, back at the house:
away from the afternoon’s heavy humidity, pushing out the veins of your arms down to the end of wavering hands, prompting a pair of boots to stop and comment, relieved, as they must have been, to be speaking of something other than why everyone was gathered around - before the sky got mentioned, the sky the same shade of blue as the flapping tarpaulin, half covering the pile of firewood, back at the house:
away from the scuffed knee shots of her comparing crayon compositions atop a recently raked pile of leaves, her lines resembling the fragile strokes of clouds - before your threatened social awareness fragmented even further, and found you all washed up on a thinning stretch of beach, the trace of your steps together returning to the sea, then swishing round the pint remains in a centuries old pub, hearing her speak once again of Xanadu, and the biscuit tin, kindly left behind by the chambermaid, back at the inn.


- Jonathon Kane 2013


 Jonathon Kane currently resides in the Blue Mountains of Australia

New Poetry by Mark Nenadov










Resolve

Resolve is slightly out of my reach
like that lonely cookie jar
only accessible by a stool.
The stool is misplaced.

If resolve is a cookie
inside that jar
then I'm dieting
and nothing else sounds good.
How will I quench my hunger?

What have I done with
my precious time
other than spin my wheels
on the dry, dusty dunes
of a quiet afternoon?


- Mark Nenadov 2013


Mark Nenadov lives in Essex, Ontario, Canada with his lovely wife and their baby daughter. Mark's poems have appeared in publications such as Wilderness House Literary Review, WestWard Quarterly, Northern Michigan University's The Lightkeeper, and Pif Magazine. See http://www.marknenadov.com for more details.



Monday, January 28, 2013

New Poetry by Gale Acuff









Graduate School in English

Wally Sandburg sits across from me
at my small round white-topped table in my
converted garage apartment. I write
the last paragraph of a needless paper
on Yeats. He hasn't started his yet. Wise
man, to save his lust for the best 'til last.
He's brought a bottle of Jim Beam, enough
still left for us both. I don't want any
--I do like a drink, so I don't drink it
anymore. When he was in the bathroom
he was singing, as if in orgasm,
O God, I love to pee, I love to pee.
Hold it down, I said. Don't wake the landlord.
He returns and takes his seat. Pours a drink.
Silence for five minutes. He's trying to
think. And then he says, while my head is bowed
to complete my final sentence, like a
scribe at work, Your mother swallows. I cross

my t and look up. He suddenly adds,
I'm sorry. Like he means it--he never
does, but he seems sincere this time.
I smile. I chuckle. I wonder if she
does, I think. Or did--the last time she saw
my father was eighteen years ago. Could
it be that I had a younger--older?--
brother, sister, lost among her lips, her
throat, her stomach? It's sure something to think
about. It might make a poem. I'll try it
on him now. I start to speak--all that comes
is Give me that bottle. I chug it. Straight.
Four gulps. Without gagging. You mean like that,
I say. I guess I showed him. Mother, too.


- Gale Acuff 2013



Gale has had poetry published in Ascent, Ohio Journal, Descant, Adirondack Review, Ottawa Arts Review, Worcester Review, Maryland Poetry Review, Florida Review, South Carolina Review, Arkansas Review, Carolina Quarterly, Poem, South Dakota Review, Santa Barbara Review, Sequential Art Narrative in Education, and many other journals. I have authored three books of poetry: Buffalo Nickel (BrickHouse Press, 2004), The Weight of the World (BrickHouse, 2006), and The Story of My Lives (BrickHouse, 2008).

Gale has also taught university English in the US, China, and the Palestinian West Bank.

Saturday, January 26, 2013

New Poetry by Michele Seminara










All Dried Up

I
an old lady
waiting in this parched bed
for something to happen

which cannot happen.

I
an old lady
with an impatient
unsated belly

that will not rain.

I
an old lady
whose slow mind spreads out
so far her eye has
lost sight.

I
the one
who age must not tame -

May my drying up cause this spark to flame!


- Michele Seminara 2013


Michele Seminara lives in Sydney, Australia, with her husband and three children. She studied English and Australian literature at Sydney University, but then went on to train and work as a yoga and meditation teacher, with a passion for Buddhism. Although not new to writing, she is very new to poetry. She blogs at http://micheleseminara.wordpress.com/.