Bluepepper wishes to mark the passing of an, at times, seemingly immovable object in Australian poetry. A colossal talent and a perplexing human being whose talents we admire and whose convictions we respect, if not always the methods used to express them.
Tuesday, April 30, 2019
Monday, April 29, 2019
New Poetry by Danny P. Barbare
Just to Say Says the Janitor
Says
the
janitor
each
day
I
learn
something
new
how
happiness
works
with
a
golden
straw
broom.
At Work
Everywhere, says the janitor with a
broom and a
dustpan in the Doctor’s
office
pictures can take me,
like the Campbell Covered
Bridge in autumn
time and the old Bridge to Asheville
in the greenery.
The Janitor’s Faith
Says the janitor, if I
don’t
have my health I don’t
have nothing
except my faith in an
old straw broom
to sweep my troubles
into a dustpan.
- Danny P. Barbare 2019
Danny P. Barbare resides in Greenville, SC. He attended Greenville Technical College. His poetry has recently appeared in Columbia College Literary Review and Cardinal Sins. His poetry has been nominated for Best of Net and has won The Jim Gitting's Award. He lives with his wife and family and small dog Miley in the Upstate of the Carolinas.
Friday, April 26, 2019
New Words and Images by Wayne H. W Wolfson
Paella
There was the stray white cat that we fed paella to. For point of reference, we had to give it a nickname but could not agree on anything.
I wanted to go to the bull fights, but you were scared.
Late at night we lay in bed listening to the boy down in the courtyard practice all the sad songs on guitar. You asked me to tell you a secret and it was then that I understood you better.
Carmen
My lips still felt the heat of her kisses and tasted the lingering salt of our combined sweat.
I pulled the covers down, exposing my torso. The places that had already dried felt strange as the breath of the fan hit them. It was as if I were feeling life through small barriers of shed skin.
Carmen got up to use the toilet. I lay there with my hands clasped behind my head too lazy to pull the covers up despite now being cold.
She stood, a silhouette in the doorframe, the light which managed to squeeze past her producing a flatter twin upon the floor.
I knew that she wanted me to say it, but I was not in the mood.
She would not move from her spot until I did. There was no way to win this battle of the wills as were I to opt to just drowse, then when she got back into bed it would wake me.
I lifted my head up:
“Que hora es?”
She did a little clap and got back into bed. I had not changed my position, so she rested her head against my shoulder. I could feel her smile.
The last words of Billy the Kid.
- Wayne H. W Wolfson 2019
Thursday, April 25, 2019
New Poetry by Stuart Rawlinson
The Last View of Sea
There was a prize
for whoever saw it first
a dense blue sliver
between two low hills
at sea level, the water
chopped and fizzed
waves unable to hold
together under the
moon's duress.
eyes squinted
in a golden glare of
not-quite-real
sand. hair matted
in the salty air
backs turned, towels
shook, the wide open
expanse narrowed
like clock hands
reaching for noon
- Stuart Rawlinson 2019
Stuart Rawlinson is a Brisbane-based writer, focusing on poetry and currently writing his debut novel. He released his first poetry collection in 2015: Encyclopaedia of Trees is a 19-poem collection on a theme of time and memory and each poem accompanies a piece of original music. He is also a regular contributor to Project 366, a collaboration between poets and artists, and maintains a literary blog at stuartrawlinson.com.
Monday, April 22, 2019
New Poetry by Dawid Juraszek
Pandora
and now they're out
for good
released and at large
not going back underground
not leaving either
red-hot and self-sustained
levers and engines
generic condemnations
personal sacrifices
signatures and ratifications
won't slow the winds
calm the seas
all that's left with us
is false
and blind
tucking us in
with a reassuring smile
while what we need is courage
- Dawid Juraszek 2019
Dawid Juraszek is a bilingual author and educator based in China. A published novelist in his native Poland, his fiction, non-fiction, and poetry have appeared in The Remembered Arts Journal, Amaryllis, The Font, Artis Natura, and elsewhere. Visit https://amazon.com/author/dawidjuraszek
Monday, April 15, 2019
New Poetry by Rob Schackne
Remembering The Stairs
- for Julie Pendleton
I grew old and winded
stairs reminded me of swings
of rhythm and raucous play
and once or twice a hard fall
up or down it doesn’t matter
the sums of toil I remember
the sum of each laboured step
the tremble on each landing
I see a prehistoric fish in a net
strong hands catch my breath
for the exit & entry at the end
there's a door I’ll need to unlock
fumbling with a girl’s memory
for a key I once had but lost
my gasping heart bursting
finally for summit flowers.
- Rob Schackne 2019
Born in New York. Migrated to Australia in the early 70s. I have recently returned to Oz from China, where I was teaching for 15 years. Now living in country Victoria. The fresh air and blue skies are astounding. When I'm not writing, I like taking photographs very much.
Friday, April 12, 2019
New Poetry by Pauline Edmonds
As it was in the beginning
'Is now
and ever shall be'
as you rise from bended knee
do you see
a stained glass window
see a new beginning
and an end?
And
through a prism
of colour
see a glow of wonder
'world without end’
‘As salamu alaykum’
- Pauline Edmonds 2019
Pauline lives in Torquay, Victoria where she has been attending creative writing classes for three years. Pauline has nine adult children, thirteen grand children and two grand dogs.
Thursday, April 11, 2019
New Poetry by Valli Poole
Summer Weekends
On the weekends my grandfather rose early,
dressing himself in his old weekend clothes.
Then with tapered-fingered hands and a
body aching with age he set about gardening.
I'd wake up to the sounds of wood being
chopped for the wood stove,
We always had a weekend roast no matter what the season but
as a concession granddad would make me a summer fruit salad
with peeled green grapes,
like I was Mae West.
All day I'd tag along behind him as he weeded and
lovingly dead-headed the roses. I distinctly recall that as the heat
beat down, him taking off his shirt revealing a lean
sun-striped upper body.
I can see him now leaning in on the garden hoe
deep in thought as he smoked a cigarette with quiet relish.
I never wanted to leave his side on those days,
our quiet chatty times together
away from my two mothers and the chronic
erupting anger of the house.
- Valli Poole 2019
Valli Poole is an Australian poet and publisher of a small press Blank Rune Press. She has been published in Australia and internationally
Wednesday, April 10, 2019
New Poetry by Mark J. Mitchell

Obit
He lost his religion
in the rain
on a Thursday.
The sun stayed out.
It fell off him
like snakeskin slipping
off a jacket. It curled
and blew across the square.
Not long after—
a desultory Tuesday, say—
after the rain
had absconded
with what was left
of his money, he died
in a very noisy
and very public
heartbreak accident.
- Mark J. Mitchell 2019
Mark J. Mitchell’s latest novel, The Magic War just appeared from Loose Leaves Publishing .A Full length collection of poems will released next year by Encircle Publications. He studied writing at UC Santa Cruz under Raymond Carver and George Hitchcock. His work has appeared in the several anthologies and hundreds of periodicals. Three of his chapbooks— Three Visitors, Lent, 1999, and Artifacts and Relics—and the novel, Knight Prisoner are available through Amazon and Barnes and Noble. He lives with his wife the activist and documentarian, Joan Juster and makes a living pointing out pretty things in San Francisco.
Monday, April 08, 2019
New Poetry by Tug Dumbly
Bad Economics of a Haunting
I lived a year away from home at a school
and have relived every day in that place,
every bastard, and every boy whose face
I’ve torn through tracing paper and missed
ever since, like that girl once glimpsed
on the Jersey Ferry in Citizen Kane.
And I have relived every sadist’s forehand
smash of the cane through cotton jim-jams
to leave your arse a railway switch-yard
of black tracks, joining up with the tracks
of adjacent arses in the shower block,
which now, I’m ashamed to say, conjures
nothing so much as a death camp.
And still I hear the spider purr of that
woodwork master burring the name of his
favourite boy as he bends into him behind the
humming lathe; see still the kindly Reverend's
adam’s apple wobble under his dog collar
and his face sorrowing to a Pieta
as he says this is going to hurt him more,
before whipping me like crimson Christ
after Wind in the Willows in his English class.
But my heart hurt more; this a betrayal
by one I’d loved best.
It wasn’t Dickens. Beyond the scatter
of beatings and fist fights that year is mostly
minuteness and mundanity, the threaded beads
of small human exchange, of banter, joke,
jibe and mock; and kindness too, I’ll concede.
I re-see every weather, every melting bar
of Sunday heat, every icicle under a tap
in a frost. Odd details, like the foul margarine
that congealed on bread like a cracked sheet
of frozen piss. All this I see again. Every which way
I’ve relived the year in that place for more hours
than ever I was there. And just why mystifies.
Like an amphetamine affair that implodes
in a week, then moves in to live a lifetime;
like those bad debt drug buddies and fucks
on the run, spectre flatmates and mulched friends
greyly lurking round the landing, eternally
crashed in the housing tower of your head.
Such uneconomical hauntings these
old familiars, such wearisome spirits,
most dramatic duds, not horrorful, sorrowful
or gleanable for meaning, but like a pub bore
with nothing to say, saying it all again and again,
or a fat lollipop lady wearily rerouting
your brain into the same backstreet maze,
or a Tom-Tom's termagant nag telling you
to take some deadend turnoff back there
it wanted you to take … Something inside
must like you forking through these scraps, toying with
this food you can’t scrape from the plate.
- Tug Dumbly 2019
Tug Dumbly is one of Australia's foremost performance poets. His collection, Son Songs, was recently released through Flying Islands Press.
Friday, April 05, 2019
New Poetry by Robert Halleck
Classmate
He never raised his hand,
sat in the back, stared at
the wall--silent.
Always the same clothes for gym
retrieved from the locker's bottom
still damp from the previous class.
Between periods he limped as if
he wore two right shoes.
No books, no talk.
He showed up for a reunion
with a car as big as a whale,
still silent, still limping.
Someone asked his wife--
a beauty with dark hair, fair skin
what did he do to make money?
Her eyes smiled before her lips.
He buys land where no one lives
until they need to.
- Robert Halleck 2019
Robert Halleck lives in Del Mar, California with his muse Della Janis. He has been writing poems since 1959. He is a member of San Diego's Not Dead Yet Poets and hopes to continue that membership for many years to come.
New Poetry by John Bartlett
Still Around
When we returned home
from your funeral
I found some ashes
stuck to the bottom of the container
inscribed ‘honouring a life’
Your Peter Sellers’ impressions
kept interrupting my thoughts
so I bought a
Eucalyptus Woodwardii
watering with your
washed out ashes-
dedicated to thoroughness
as always
It flowered last summer
after four years
brushes of scarlet
tickling blue sky days
You visit some nights
still insisting on wearing
those green shoes
- John Bartlett 2019
John Bartlett is the author of three novels, Towards a Distant Sea’, ‘’Estuary’ and ‘Jack Ferryman: Reluctant Private Investigator’, Áll Mortal Flesh’, a collection of short stories and ‘A Tiny & Brilliant Light’, his published non-fiction. His poetry has been published in a number of Australian and overseas journals and in June 2019 Melbourne Poets Union’s Union will publish his Chapbook The Arms of Men as part of the Union Poet Series Chapbook.
Thursday, April 04, 2019
New Poetry by Alex Munster
The Massacre
Who am I, now they are like the others?
– this early century, late espoused murders
while music played, aircraft fell, when streets cried,
and now in mosques among Christ’s churches.
Am I the pink-skinned, lazy invader
who bled-out white on the African sand?
Or, rejected from the holy deserts,
I take a piece of a green gentle land?
Did we consume our credit, forfeit belief,
guilty or strong, innocent or weak?
Accept accepted thinking, and just allowed
lumpen resentment to be first to speak?
Too many already, they’ve made up their mind,
None of us better than this wounded time.
- Alex Munster 2019
Alex Munster is a retired journalist and current bookmaker who lives on Sydney's north shore.
Sunday, March 31, 2019
New Poetry by Jonathan Beale
The enigma
Life’s helical enigma
Inevitably - strange but true.
Too few get to really see
Only the 05.00am night owls
And the early rising Buddhists
How ‘devil may care you may be’
Those times slip by…
Lost in traffic jams and trains delays
As the rate of change consumes
Until time its self-changes
Spiraling way
As cigarette smoke to the ceiling
The enigma is never resolved
There’s never It’s never enough time.
Never enough.
- Jonathan Beale 2019
Jonathan Beale has work published in numerous journals, a collection called The Destinations of Raxiera published by Hammer and Anvil recent work published in Danse Macabre, Mad Swirl, et al. He lives in Surrey England.
Friday, March 22, 2019
New Poetry by George Anderson
The Sport That Keeps On Giving
At the party
a footy star is filmed
bubbling
at a urinal
by a mate
who posts
it online.
Another bloke
elsewhere pretends
to root a dog
up the ass
before he pisses
on himself &
nearby furniture-
the footage
appears shortly
afterwards on
A Current Affair.
A footy legend turned coach
is heavily intoxicated
wearing only shorts
& bangs on a woman’s
hotel door at 3 AM
despite the club’s
no alcohol policy.
The disgraced CEO
cooks the books
& systematically cheats
on salary cap
third party payments.
He does what ever
it takes for the club
to keep “moving forward”.
- George Anderson 2019
George Anderson grew up in Montreal and migrated to Australia in his early 20s. He is long-term blogger at BOLD MONKEY. Recent or forthcoming chapbooks include Teaching My Computer Irony (Punk Chapbook Series Epic Rites Press), Shark in the Shallows (Analogue Submission Press) and Fuckwits & Angels (Holy & Intoxicated Publications)
Monday, March 18, 2019
New Poetry by James Walton
The Strzelecki Mountain Killings (I,II,III)
I
I brought down the iron bark by the garage
to give the solar panels more say
in using the day from the north east.
The mahogany wood is hard to split,
the dense grain knowing more than sin;
axe and wedge recoil
until I find a way to work around the edge
down to the heart.
Younger branches dribble sap in thick remonstrance on my shirt -
on the sawn rounds my thumb traverses a thick history
of circles closer than early marriage,
holding more than a national library in an inch.
I strike down and shatter the lines
that were there when Charlemagne was emperor,
growing when Istanbul was just rumour to Constantinople.
II
Elizabeth Watkins Creek speaks in flowing,
most often, a rustle in the back ground
like the child up first for the Christmas presents,
or a whispery kiss on your ear.
Sometimes, a lunging push that wakes in flood
when the careless water sprite surge might just
grab dangling ankles off the stringy bark bridge
past the driver’s ford;
rolling over winded flat out on your back the last thing seen
a stencil of doily tree ferns stitched on to looming white gums.
Black wallabies sip at the giggle of her ribs,
waving off the early traffic
where the sandy gravel rides the perimeter circus curves.
She springs too early, washing down McDonalds Track;
the mountain quakes its fist for her again
pleading release from the undercurrent leash
slapping the bitumen harness away.
III
Through the cross roads
where the big cat is claimed to wander,
past the gorging potato factory tractors
an iron tower marks the place,
where the tallest tree in the world stood.
Two brothers cut it down to measure -
the distance now in segments of fence post spacings,
a splash of orange on one to show
where the crown would have been
ten quarter acres up the road
from the rusting monument base.
Out of the aching mist on windy nights
you can hear the ruffeting of missing limbs,
waving across the valley to the Baw Baws
where a higher regnans in sanctuary,
clothed in a garland canopy
resists the tailor’s tape,
knows better than to signal back.
- James Walton 2019
James Walton lives in South Gippsland. He was a librarian, a farm labourer, a cattle breeder, and mostly a public sector union official. He is published in many newspapers, journals, and anthologies, and has been shortlisted for the ACU Prize, the MPU International Prize, the James Tate Prize, and Jupiter Artland. His books include The Leviathan's Apprentice 2015, Walking Through Fences 2018, and Unstill Mosaics (forthcoming).
Sunday, March 17, 2019
A beacon on the dark waters
I think probably enough has already been spoken and written about the hideous and still unfolding tragedy that took place just across what we antipodeans affectionately refer to as "the ditch" not 48 hours ago. Needless to say it diminishes us all a little as a species, and as tempting as it is to collapse into a slough of despair, that is precisely what the perpetrators of such heinous acts would want, and pretty much the last thing the brave and innocent victims deserve. Bluepepper would like to take this opportunity, however, to convey our deepest condolences to all those victims of this or any and every other act of violence perpetrated against the innocent. Ideology is perhaps best regarded as an occasionally useful tool to open a dialogue, not deployed as a closing argument.
On the same day as this tragedy started to unfold, two other events occurred that we believe are worth noting. Firstly, the children of the world finally grew sick and tired of their elders' solipsistic dithering and took to the streets to voice their concerns over the lack of action on climate change. Bluepepper salutes their courage, passion and conviction, duly notes their frustration, and while in no way encouraging any child to skip class, we sense that the future will be in safe hands (assuming, of course, that our generation has allowed for one!)
The other signal event (at least to the international poetry world) was the passing of one of the pre-eminent poets of the past hundred years. We refer, of course, to American poet laureate, WS Merwin. On Friday 15th March this most peaceful, insightful, wise and dignified of poets died peacefully in his sleep at the tender age of 91, proving in some small way that there is still a sliver of justice in this world. The timing of his passing is significant for no other reason perhaps than that this tireless campaigner for the environment passed away on the same day as the youth of the world expressed their own vital concerns for how our species is treating the planet. As they (and Merwin) so rightly pointed out, there is no Planet B.
Our own Bloodaxe Books copy of WS Merwin's "Selected Poems" is one of our most prized and dog-eared possessions, a great source of solace when faced with the many vicissitudes of this chequered life. If you have a minute, please indulge us while we share some of the great man's wisdom.
Every year without knowing it I have passed the day
When the last fires will wave to me
And the silence will set out
Tireless traveller
Like the beam of a lightless star
Then I will no longer
Find myself in life as in a strange garment
Surprised at the earth
And the love of one woman
And the shamelessness of men
As today writing after three days of rain
Hearing the wren sing and the falling cease
And bowing not knowing to what
- For the Anniversary of My Death (1967)
RIP to all the innocent, gentle, loving, and good.
New Poetry by Tares Oburumu
How I write myself Into A Book
The room or place name for the transportation
of memories,
expands Jan Vermeer's craft in itself.
The girl with the Omnipotent Dream,
sleeps under the paintings which hang with Gogh
in jade some-playgrounds in her childhood,
where I huddle my body between 12am and the davenport
built into the morning, being time against solipsism,
with the world floating above the night.
The behaviour of the clock, deft handed,
can be described, psychologically, as infinitude.
It strikes out the hours with the attitude of years yet lived.
At dawn, I should step out of myself into the city
redesigning me in its people, architect, and lights.
For a while, after moments of denial, I open the door,
and find myself in Sasha's hands reading all of herself
to art and the sum of man.
- Tares Oburumu 2019
Tares Oburumu is a graduate of philosophy from the University of Benin, Nigeria. He's a lover of God and his daughter Sasha.
Friday, March 15, 2019
New Poetry by Tim Suermondt
It's Partly Grace
I heard a bus in the distance
and noticed close up a rat scurrying
out of a bush of moonflowers,
the night I waited for you
for the first time on a street
familiar to us both. A woman
in a light yellow raincoat
appeared—it wasn’t you, yet
I knew it would be soon, solidifying
a lovely parable how against
the odds there we were, and everyone
waiting and longing sang on the avenue
past midnight, how the mountains outside
the city marveled and moved.
- Tim Suermondt 2019
Tim Suermondt is the author of four full-length collections of poems, the latest one THE WORLD DOESN’T KNOW YOU. His fifth collection JOSEPHINE BAKER SWIMMING POOL will be coming out from MadHat Press in January 2019. He has published in Poetry, Ploughshares, The Georgia Review, Prairie Schooner, Able Muse and Plume, among many others. He lives in Cambridge with his wife, the poet Pui Ying Wong.
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