Tuesday, November 29, 2022

New Poetry by Sam Moe










Fireweed

Late, lilac-infused dawn, pine trees for once
that ridiculous lake into which fall shoes in the summer,
a bird who shares your middle name, rats, combs
covers, gold, mica, plunder dough and the rain
that came at the end of the month and lasted through
the holiday, coated your mailbox in mud and mushrooms,
decay. The obsession of the fawns, your doodles
in the corner of a recipe book, your forgetfulness,
a spoon on the edge of the sink just in case you wanted
to eat the batter again, eggs from someone else’s
chicken, maybe you should leave your windows
open, this isn’t about nerves or apples curved against
copper leaves and a deep sense of abandonment,
this isn’t about the argument or the clover, eucalyptus
in jars, wildflower and buckwheat, how soft the blossoms
were when we gathered them in our hands. False and
vanilla cinnamon, lace down the halls, our friends come
over for dinner, they leave bells in pots, discs with lungs,
ornaments and taffy, marshmallow and too much cream
in coffee, later we’ll lie on the floor. And I’ll spread my
arms in the mist, angelic during evening mist, I’ll tell you
I’m drowning. Everything smells sweet and warm. You think
I’m joking so we both laugh, and you feed me spoonsfuls
of honey.


- © Sam Moe 2022


Sam Moe is the first-place winner of Invisible City’s Blurred Genres contest in 2022, and the 2021 recipient of an Author Fellowship from Martha’s Vineyard Institute of Creative Writing. Her first chapbook, “Heart Weeds,” is out from Alien Buddha Press and her second chapbook, “Grief Birds,” is forthcoming from Bullshit Lit in April 2023. You can find her on Twitter and Instagram as @SamAnneMoe.

Monday, November 21, 2022

New Poetry by Peter Mladinic










Eternal Virgin

Which me do you want? The daughter 
watching her father watch the Noh play
in Late Spring, or the widow in Tokyo Story
in a train moving further and further away

from the town, the teacher in a classroom
the young sister-in-law of the widow I
played. The day before my leaving, the girl,
“Is life heartache?” Yes, I told her, yes, it is,

what she hadn’t hoped to hear, her mother 
suddenly gone, her father a widower, I
their daughter by marriage, the only one
who opened the door of her heart to them

their final days as husband and wife,
under my roof. Having been shunned by
their own children. Didn’t I look wistful,
smart in my western skirt and blazer 

seated in the train? That close up, my eyes.
A person says, I’ve never seen such beauty!
It’s all in my eyes.  Setsuko, eternal virgin.
A movie star, I retired early, never married.

In the audience of the Noh play, my father
with the woman he’s to marry.  Don’t leave 
me, father, I say with my eyes. He and she
watch raptly the masked players.


- © Peter Mladinic 2022


Peter Mladinic’s fourth book of poems, Knives on a Table is available from Better Than Starbucks Publications. An animal rights advocate, he lives in Hobbs, New Mexico, USA.

 

 

 

Monday, November 14, 2022

New Poetry by Simon Christiansen










Lightspeed

Green
I am permitted to move
But I remain at rest
Emerald raindrops glitter in the night

Yellow
From emeralds to nuggets of gold
Engines wake from their slumber
I stand on the yellow brick road

Red
Roar of engines, squeaking of tires
Blood spatter on my coat
Rubies hit the road

Yellow
Grinding of brakes, cessation of movement
I require no transition
I bask in the light from a miniature sun

Green
I am permitted to move


- © Simon Christiansen 2022


Simon Christiansen is a writer and indie game designer living in Denmark. His stories have appeared in anthologies of Danish science fiction, Lackington’s, and Nature Futures. He has also written several award-winning works of interactive fiction. More information about his work can be found at www.sichris.com.

Monday, November 07, 2022

New Poetry by James Kangas


 








Castle       

There’s a blue and pink castle
in the backyard of the house
on the corner. Every day
or two there’s a new inflatable
in that yard: a bounce house,
a water slide, a rocket.
All I need do is look
out my window and I am
transported to a new wonder.
Then in a few minutes
the castle gets deflated
and someone walks over it
to force out the air pockets
before, finally, the folding 
and putting away.


- © James Kangas 2022


James Kangas is a retired librarian and musician living in Flint, Michigan.  His poems have appeared in Atlanta Review, The New York Quarterly, The Penn Review, Unbroken, et al.  His chapbook, Breath of Eden (Sibling Rivalry Press), was published in 2019.

Thursday, November 03, 2022

New Poetry by Anthony Lawrence











Security Measures

In the interests of Personal Safety,
should you encounter behaviour, 
objects, or items you consider
to be literature, contact Security, 
the Police, the Mental Health 
Hotline, or approach any uniform,
including pilots, Quarantine
inspectors or cabin crew,even
carousel sniffer dogs have been 
known to sit down beside luggage 
containing books by Rupi Kaur. 
Please report the following: 
a passenger nodding sagely 
while reading 'The Complete 
John Ashbery’; those who swear 
they can find acrostic poetry 
on Flight Information boards; 
a limousine driver at Arrivals 
holding a sign: Lagavulin Lovers 
Welcome Geoffrey Hill;
a First Officer introducing
the captain, then giving an update 
on conditions in rhyming couplets;
people who are close to coming 
to blows over whether 
performance poetry translates 
well on the page, or those 
already throwing punches after
being told the stage is anathema
to any understanding of where


- © Anthony Lawrence 2022


Anthony Lawrence’s most recent book of poems is ‘Ordinary Time,’ a collaboration with Audrey Molloy. His collection ‘Headwaters,’ won the 2017 Prime Minister’s Literary Award for poetry. He is a senior lecturer at Griffith university where he teaches Creative Writing. He lives on Moreton Bay.

Wednesday, November 02, 2022

New Short Fiction by Nina Alonso Hathaway

 My little sister’s chalk-drawing on the sidewalk, runs inside crying because Marjie from up the street prayed Jesus into her heart, “Get him out?” Mom manages a Jesus-ectomy, later says Marjie asked my brother why he killed Jesus.   
 “Ignorant,” she says, shaking her head, “Never heard of Pontius Pilate, no idea Jesus was Jewish,” glad they’re not burning crosses or aiming guns. 
 No Asians in my high school, one African American boy cheered on the football field who dates a Jamaican girl from the next town. My classmate Sandra’s dad is Jewish, but her mom’s Catholic, so they have some sort of compromise tree. Locals are mostly Protestant, afloat in a bigoted bubble as if theirs is the only true path.
 Dining at Spring Moon we get to know the Moys, and I babysit their girls. Ruth gives me a cheongsam, green silk, which I wear to a party, friends squinting as if I’ve turned into multiple kinds of ‘other.’ 
 One evening four year old Denise is poking her rice, two year old Debbie’s too sleepy to eat. I hear buzzing, notice the liter bottle of Coke on the fridge jiggling, then it explodes spraying soda and bits of glass. I carry screaming kids from the room, glad no one’s hurt, call Ruth,“We’re okay, but the kitchen’s a mess.”
 “Read stories, put them to bed. I’ll clean up later.”
 George drives me to Riverview, as I’ve got a license but no car, over-explaining what I’ve already figured out, “Refrigerator vibration shook the bottle, carbon dioxide bubbles blew it up like a volcano in chemistry class.” He’s a freshman at Harvard, planning to be a doctor like his father who died of a heart attack when he was nine. My pharmacist dad studies George’s thick glasses, his lanky frame, watches him sneeze into his handkerchief, later says, “He’s not a good specimen,” as if rejecting a dubious lab sample. 
 I’m reading about the Holocaust, concentration camp photos, skeletal survivors, Auschwitz.  Mom says, “Auntie lived in Warsaw with cousins, but letters stopped coming, meaning Nazis murdered them.
 I have college acceptances, but money’s tight so choose the piano scholarship at Boston Conservatory. The front desk provides keys to practice rooms, usually a cranky spinet in an airless basement cubicle, walls so thin there’s no way to avoid hearing violins sawing away, voices crawling up and down scales. By November playing piano five hours a day feels like classical music prison, my wrists stiff and aching. My friend Dee says ‘hang in there,’ but the doctor labels it ‘tendonitis, overuse syndrome,’ and orders rest. My teacher, Anton Moeldner, student of Paderewski, encourages me, but the pain’s worse. I love piano, hate disappointing him and giving up my scholarship, but have to accept that whatever I’m supposed to be doing, this isn’t it. 
 “Sometime things happen we can’t understand,” Mom says, as she’s loved hearing me play since I was six.
 I meet a friend for coffee, fine until he starts discussing Freud. No idea who that is, and too embarrassed to admit ignorance, I say, “Getting late,” and leave. At the conservatory I studied classical piano, ballet, Italian, English composition taught by a charming actor, music history and theory, no composers named Freud. That spring I work at a department store wearing the required ugly turquoise blouse, only excitement a robbery in ‘fine jewelry,’ security guards knocking over displays, alarms blaring, police blowing whistles.
 September, lucky to receive a full scholarship at Simmons, I start reading George Eliot, Gertrude Stein, Alfred North Whitehead, Jane Austen, T. S. Eliot, Dostoevsky, Freud and all the rest. Can’t afford a dorm, so take the bus until invited to live with my friend Heather and her mom in Cambridge.
 In high school George’s big hands poked under my sweater, but now the guideline’s ‘don’t get pregnant.’ Virginity lasts until Sam, tall, brown-eyed Harvard Law, eager to elope. Why do I agree, repeat words that mean nothing in front of a justice of the peace, move to DC with him after graduation? 
 It’s about being horribly young, afraid no one more exciting will ask, soon sorry because Sam’s emotionally blank, bossy and boring, the sex dismal. I don’t love him, he doesn’t love me. One night he admits he was in love with a Harvard law student, black, from South Africa, but his parents threatened to cut him off financially unless he ended it, so he did, then finds me, a white, parent-acceptable female.  “Still in love with her?” No answer, says it’s my problem if I feel used. 
 I try a psychotherapist, an owlish type with round glasses and argyle socks who jots notes on green-lined paper, but says nothing, even when I announce I’m leaving Sam and DC, just his usual,’See you next time.’ Did he hear anything? Hell, no. 
 I’ve saved money for a plane ticket, grateful to crash on my friend Heather’s couch in Cambridge, depart without telling Sam,  no goodbyes, as I’ve given up on him, glad he’s busy at his Securities and Exchange Commission office. Later he blames my ‘emotional issues,’ easier than looking in the mirror.
 Divorced by twenty-two, I’m angry at myself for legalizing this stupid episode. Why didn’t I see through the situation sooner? I watch other friends marry, figure they made better decisions, seem happy with their cute babies, until they confide about counseling sessions and break ups. My best friend Heather gets divorced and moves to Australia with her six year old. My brother Carl stays married, and my friend Jane, but my sister calls a lawyer when her husband declares himself ‘out’ and joins a gay chorus. It’s a relief that it wasn’t just me who didn’t know what in hell I was doing.
 I find an attic flat in a Cambridge three-decker, lucky to have a grad school fellowship at Brandeis and a Mom who helps with groceries. At Cafe Pamplona I meet Fernando, born in Argentina, who says his family fled Peron when he was seven, settled in the states where he spent school days playing pick up sticks as he knew no English. When I can’t get my VW Bug going, he gives me a ride in his old rust-cracked Chevy. I tell him everything, even what felt stultifying, painful and wrong, struggling to accept that’s just what it was.
 He’s the first man I’ve met who listens, doesn’t criticize, doesn’t judge, doesn’t comment on how I dress, doesn’t tell me what to do, doesn’t pressure me, doesn’t have an invasive ego agenda, the first time I feel safe.
 His touch is gentle and sensitive, though it’s a while before we call it love, no single star-shine moment, more like a seed taking time to grow. We live together, feel no need to change ourselves or each other because, somehow, we’re okay as we are.


- © Nina Alonso Hathaway 2022


Nina's work has appeared in The New Yorker, Ploughshares, U. Mass. Review, Writing in a Woman’s Voice, Black Poppy Review, Bluepepper, Peacock Journal, Ibbetson Street, Bagel Bards Anthology, Constant Remembrance, MomEgg, New Boston Review, Cambridge Artists Cooperative, Muddy River Poetry Review, Wilderness House Literary Review, Tears and Laughter, Southern Women’s Review, Broadkill Review etc.  David Godine Press published my book This Body, Cervena Barva Press published Riot Wake, and a story collection and novel are in the works.

Tuesday, November 01, 2022

New Collaborative Poetry by Carson Pytell and Zebulon Huset










A Light Year of Nostalgia *

Lingering in the toy aisle
for decades

Just another toy's story
with no kid

and a concept of time
alien to us

which the wise don't call
forever

they just let gravity continue
to drag us along

into the black hole we call
the light, "run"

the call of those not yet at
the event horizon

yet having always headlined
our own matinee—

A consumer generation waiting
to buy-in.


- © Carson Pytell & Zebulon Huset 2022


Carson Pytell is a writer living outside Albany, New York, whose work appears in such venues as The Adirondack Review, Sheila-Na-Gig, Fourth River, and The Heartland Review. He serves as Assistant Poetry Editor of Coastal Shelf, and his most recent chapbooks are Tomorrow Everyday, Yesterday Too (Anxiety Press, 2022), and A Little Smaller Than the Final Quark (Bullshit Lit, 2022)

Zebulon Huset is a teacher, writer and photographer. His writing has appeared in Best New Poets, Meridian, Rattle, The Southern Review, Fence, Texas Review and Atlanta Review among others. He also publishes the writing prompt blog Notebooking Daily, and edits the literary journal Coastal Shelf.

* [This piece is from a collaborative poetry project called “Stanza Trades”. In the Stanza Trades series the collaborating poets write alternating stanzas.]