Monday, November 26, 2007

New Poetry by Jo McInerney











Returned

I remember ceasing to exist.
Not a near-death experience, no extra-corporality,
I simply lost my definition, went out of focus.
I could look in a mirror to see no one I knew.
I understood it would be useless to try to talk.
The words would not emerge or, if they did,
the hard syllables would crack and fall,
broken pieces of a dialect no one ever spoke.
I could still see. People moved around me
like square dancers treading the pattern,
smiling, laughing. They did not realise they, we
were about to lose our grip, release our toes,
demagnetise and drift off into nothingness.

I don't remember how I came back.
Did the Martians unload me, did I find God,
did I love someone or they me? I'd like to know.
I'm afraid that last encounter was only the first.

- Jo McInerney 2007


Jo McInerney spent the first twenty years of her life in Melbourne. She
has lived in Gippsland for the last thirty years and has been writing
obsessively for the last two.

Friday, October 19, 2007

Shameless

An interview I did with Maggie Ball is posted up at Blogtalk Radio (the tab to your immediate right). You can also find her review of the book in question, The Great Big Show, at a number of sites including The Compulsive Reader.

Friday, September 21, 2007

The Monthly reaches out

THE MONTHLY FOR AUSTRALIANS ABROAD

The Monthly is now available online.

'The Online Monthly' will be published simultaneously with the print edition. It will contain the full text of the current issue, plus every article ever published in the magazine.

We have decided to publish this online edition so that we reach the local 'internet generation' and give Australian expatriates easy access to the magazine.

Believe it or not, there are currently an estimated 860,000 Australians living and working overseas. If you know any of them, and think that they might enjoy The Monthly, please forward this email to them. They can consider subscribing via the link below.

This is a logical step for The Monthly following the incredible success of the printed edition, which is here to stay.

For more information see www.themonthly.com.au

Thursday, September 13, 2007

New Poetry by Steven Balters











Rattus Norvegicus

It was afternoon, but you had to stay behind with all the people
Who grew tired of the sun caked windows that inspired sleepwalking.

The grey circuitry boxes tucked inside of the white concrete
Exploded. He knew, yes he knew and he warned of it,
And he sent everyone out the door, following fumes from an electrical fire.

Night was beginning to flood the gymnasium anyways.

Fire consumed and burned and spread to every last classroom.

Now you wonder how he knew the wiring was flawed and self destructive,
Or how he knew rats were gnawing at the motherboard, the system board,
The system. The system was feeding generations of rats by the time the
Roof gave way to the stars, and he only looked oblivious.

Now you wonder this.
As you stand with your best friend
In the slicing sun,
With a school in ashes behind you.


- Steven Balters 2007


Steven Balters is an 18 year old first year student at Seattle University. He was born and raised in Omaha on the plains of Nebraska.

Sunday, September 09, 2007

Saint Max

It was the poet Margie Cronin who first drew my attention to Melbourne's The Monthly magazine in one of her frequent circulars. As relatively young writers we had both been hungering for a new voice in the Australian mainstream print media, and The Monthly seemed to be it. It seldom disappoints. But as we head down that slippery slope towards another Federal election, it seems even such young luminaries as The Monthly can't resist the temptation of dragging their colours through the mud of Australian party politics. Mungo MacCallum I will excuse because he has never been anything else but partisan, and his writing is wry and insightful and fed by a rich tradition of Australian political writing stretching back well into the 19th century. His labelling of all swinging voters as "nongs" says a little more about where his politics are stuck than the true state of the Australian polis, but sadly he is not alone in this issue. Atavism remains a plague on this country, and The Monthly is far from immune.

I will begin and end with the cover story of The Monthly September 2007 because I believe it encapsulates all that is wrong with the current editorial approach of what promised not so long ago to be a clean break from the beigists. I know very well why it is the cover story, because it promises to appeal to the most general readership, part human-interest, part political commentary, and because its subject is the universally respected retired ABC journalist Maxine Mckew and her tilt at John Howard's seat of Bennelong (where I am currently jotting down these notes in my boss' carpark after a 90 minute drive to a low-paid job, but more of that later). My problem is not with Maxine Mckew, whom I greatly admire, nor with the intentions of both writer and editor. Maxine will probably fail in her challenge, but she doesn't need me to tell her that. I think what she is doing is bringing the values of the Australian Labor Party to an area of Sydney that has not had much direct exposure to them since the decades between the wars, a thoughtful, charming and beguilingly self-effacing advocate for what, after all, aren't a bad set of core values for what still touts itself as an egalitarian society. My problem is with the tone of the piece. It is one of almost breathless adulation that repeatedly renders the journalist, Judith Brett, immobile when a chance beckons to dig a little deeper. For instance, early in the piece she accuses McKew of a slightly bloodless consensual brand of politics so beloved of marketing types, then all but claps her hands when caught in the trap.

And when I ask her (McKew) about the ALP's position on old-growth logging, and Rudd's, in my view, disgraceful courting of the Tasmanian logging industry, she simply smiles.

Really? And what do you expect her to do, Judith, a journalist of her experience hearing a reporter from The Monthly couch her own opinions within a question? Is this the Big Issue? I can imagine the ever-graceful Maxine feeling for a 2-dollar coin in her pocket.

The journalist then spends two paragraphs on a rather breezy analysis of recent Federal parliamentary history, highlighting a cycle of sorts between consensus (the Hawke years) and the head-butting of Keating and beyond. I'm told it all rates very well on New York cable. She confuses history with short-term trends, however, a chronic distemper among journalists who refuse to read books thicker than a tabloid. Bob Hawke's consensus was a successful ploy to placate Moody's and win back the triple A rating, but it was also a successful attempt to bury the hatchet of the old class war that had been picked up by middle-class students in the 60's and poked and prodded until it was almost unrecognisable. By which I mean Whitlam.

Of course Rudd is very different from Bob Hawke, he doesn't have Whitlam and a faux class-war to bury. He just has Paul Keating and his volumes of visceral bon-mots to bury ("conga line of arseholes" has become the national favourite, I think). History never really repeats itself, not really, that's just a stick our imaginations hold over us whenever the winds of change blow the map clean out of our hands. But saints do not good politicians make, and Kevin Rudd is a very good politician. The likes of Judith Brett would do well to remember that the next time they consider committing twaddle such as this to paper

So if Rudd were to win, the times would suit McKew's style of politics and her gift for listening to people. All the courtesy and charm that made her such a persuasive interviewer are being brought to her new role as a candidate, as are her skills in intelligent listening. When she's talking to you, you have her whole attention: her wide eyes are attentive, she smiles and nods, she reaches out and touches you.....

And so on.....

In fact, while I was typing out this dire excerpt I was thinking to myself I should inspect more closely the funding streams for The Monthly, because this piece is beginning to feel more and more like paid advertising. But then I considered the subject, a truly sincere and honourable woman....But then I thought of the party she is representing, one of the oldest and toughest political outfits in the Westminster system, and then I thought, slow down Justin, one step at a time, and anyway, these are your knees.

At street level, right under McKew's office, the Liberals have rented a shopfront which is plastered, inside and out, with posters of a smiling John Howard, Australian flags and the Liberal insignia. The door is open and inside a man is sitting at a desk. I'll go in and talk to him later, I think.........

This is good thinking, Judith, you are a journalist, and the man you have set in so sinister a setting is, for better or worse, a small part of the other side of the story.

One of the posters of Howard had been graffitied...."One of your lot did this, I suppose." He (from across the street) is about 70, trim and fit, with a buzzed head and a muscle bound walk. Our embarrassed protestations that we know nothing about it....are met with scornful insults. I don't feel like going to talk with him after that.....

Great journo's instinct there, Judith! Just what this country needs, another half-told tale!

This is palliative journalism for an ageing generation whose habitual posturing sounds increasingly creaky.

To Judith Brett's eventual credit, she does feel out the opinions of the older Chinese community in Benelong who have not forgotten John Howard's infamous anti-Asian rant in the late 1980's. But once again she fails to ask them the question even your humble poet-blogger has managed to ask them here in this very car park - why only now has the local Asian community turned against John Howard? Instead we get a self-proclaimed "eureka moment"

My eureka moment came when she was talking about the Liberals' attack on the unions. "When Howard is attacking unionists, he is attacking all the essential-service workers, the nurses, the police, the transport workers. And the teachers. I am sick of teachers being insulted and beaten up on. I am appalled. I want to be a champion for teachers."

You're not alone there, Maxine. But all these are state issues. The TWU aside, the Federal government has no say over the fate of any of them, and the last time I checked Benelong was a Federal seat. At least one woman at the interview knew that.

So what is my point after this heartless harangue? Well, I would have hoped many of you could by now sing along at least half the chorus with me.

Firstly, I abhor the fossilisation of Australian written culture in the bitter aspic of 1975. The banks got to Jack Lang in NSW in 1933, and they got to Whitlam in Canberra in 1975, as they have got to so many others more and less worthy than these two. Forget it, move on. Both sides had very good reasons for what they did and anyway all are history now.

Secondly, I am tired of lazy journalism fobbed off under some Wolfeian banner taking up precious real estate along the ever-diminishing print highway of this island. These are cramped, complex, terrifying times that no amount of courtesy and charm are going to see us through (as anyone who walked the police gauntlet out of Hyde Park on APEC Saturday will shakily attest). This is no longer a world populated by ideals, international jihad aside. We all have to look squarely at things as they are, at the world we have inherited, try to steady that roller coaster that has been going wild for the best part of a hundred years. It is, after all, the credo Maxine McKew has never stopped living by.

Wednesday, September 05, 2007

New Poetry by Kevin Gillam











one bulb

a pillar of cloud rests
above your room of one
bulb on a string, breaths in
their many, thoughts stunted,
too few, where you lie, curled
and clammy, hands and arms
splayed as if on a clock
at a quarter to ache

you've done this before, half
gone and left this constell-
ation, half gift and stayed,
as moon for one bulb. floor-
boards won't whisper, stars blink,
don't see. you kiss cirrus


- Kevin Gillam 2007


his numbers

for him, numbers were his plug, as
sometimes (and he'd read this, man of
reason that he was),
he felt the bath-water spiral
(didn't everyone?) towards madness,
inviting the sweet collapse, gifts of
meander, violent shake, up/down
in/out of jigsaw box

some numbers looped, spun in this man of
reason, and, fully given over, he
didn't fight, didn't kick, couldn't, just
invited, in from the cold, hot
meal, fire and time, in,
in from the cold came his numbers


- Kevin Gillam 2007

Monday, August 27, 2007

Degrees of Insanity

The Writing and Society Research Group
at the University of Western Sydney presents


James Ley (essayist, critic, and UWS postgrad)
on "A degree of insanity: Samuel Johnson's moral criticism and the
biographical essay."

Friday 31 August
2.00-4.00pm

University of Western Sydney, Bankstown campus
Building 23, conference room 2
(via the Henry Lawson Drive exit of the M5)

James Ley is an essayist and critic whose work has appeared in numerous
publications, including The Age, The Sydney Morning Herald, Australian
Book Review, HEAT, The Australian Literary Review and the Times Literary
Supplement.

All welcome.

RSVP/info writing@uws.edu.au
www.uws.edu.au/research/writingandsociety

Saturday, August 11, 2007

phobiaphobia


phobiaphobia


'… the only thing we have to fear is fear itself –
nameless, unreasoning, unjustified terror which paralyses…'
- Franklin D. Roosevelt

'I would like to see an Australian nation that feels comfortable and relaxed...'
- Prime Minister John Howard, 1996

rob's latest chapbook phobiaphobia is a collection on the theme of fear and anxiety. As well as favourites from his previous books sparrow in an airport (from Friendly Street's New Poets Ten) and micromacro, there are new poems on the fear of glass, knees, long words, the figure 8, death, the USA and all the other anxieties that go hand-in-hand with life in the 21st Century...

orders

Australia:

For a personally signed copy to anywhere in Australia within 7 days, send A$6.50 cheque or money order to

rob walker
RMB 481 Cherry Gardens Rd
CHERRY GARDENS
SA 5157

International:

Sorry- personally signed copies not available to overseas readers. Ask Rob Riel for postage rates outside of Australia. email: jandr@hunterlink.net.au

Thursday, August 09, 2007

Neighbours

Since I launched this blog in October of 2005 I have frequently eyed off that "next blog" button at the top of the page, but for some reason never got around to clicking it until today. It is always a good idea to check out your neighbours. Mine one blog up happens to be a young kid from Singapore, I think, with an interest in photography, violent weather systems and himself. He seems harmless enough, a little nerdy, perhaps, but then I run a poetry blog. The guy after that seems to be obsessed with motorcars and tits and not much else. One of those places where a bogus "your computer may be infected!!" sign pops up the instant you happen on it. He seems to have managed to remove his "next blog" button, the guy at the end of the street with the two rottweilers and the ten foot fence emblazoned with "my home is my shooting gallery".

All you happy bloggers out there should try the same thing. As I say, it's always good to know who your neighbours are, and it may help give you some idea what the decade's grand pariah, Andrew Keen, is really on about (beyond sour grapes and that odd English petulance borne of the class system and the weather masking itself with intellectual airs and graces).

He really is an antsy little so and so, but does he have a point about this blogger world of ours with its lack of checks and balances, of editorial protocol and the self-censorship of the market? Before answering, I refer you to my previous post headed "The Chains Tighten".

The Chains Tighten

As though further proof were needed as to the parlous state of our local publishing industry, tucked away on page 3 of the SMH yesterday was a report that Angus&Robertson, who control 20% of the local market, has written to a host of small publishers and distributors (such as Giramondo and Black Inc.) demanding an upfront payment of anywhere between $2500 and $20000 by August 17 or they will "have no option but to remove you from our list of authorised suppliers." Needless to say the targetted companies do not have this sort of money, but nor can they afford to be denied access to A&R's 182 bookstores. This is truly a red letter day for Australian publishing.

As a writer with a small but loyal following, I can attest to the great spirit that abounds out there among independent booksellers. Over the years stores such as Better Read than Dead and Gleebooks, not to mention the saintly Kris Hemmensley of Collected Works in Melbourne, have been tireless in their support of writers such as myself. I feel for them right now as they continue to battle against the enormous cut-price chains and can only suggest to all you book lovers out there to walk into your local independent bookstore today and not only voice your disgust for the corporate bullies but maybe even BUY A BOOK! Without the independents, publishers like Black Inc. and Giramondo will probably be faced with extinction, and that would be a tragedy of collosal proportions for not only Australian letters but for any prospect of an informed and reasoning polis. But please, something else besides Harry Potter. Contrary to popular belief, Potter-mania is actually driving up the corporate obsession with margins, not filtering the money down to the grass roots.

Wednesday, August 01, 2007

Poetry Without Borders

Poetry Without Borders

National Poetry Week Event
Sunday 2 September

Be part of a poetry reading with Chris Wallace Crabbe, Ouyang Yu, Judith Beveridge and Boey Kim Cheng

Poetry Without Borders reading celebrates our cultural diversity during

National Poetry Week. The proposed date will be 2/9/07 at 1.30 for 2pm and the venue will be Customs House Library.

If you feel inspired by this theme send us your expressions of interest.

We are looking for another 5 poets or so to complete the line-up.

Submit 3-5 poems with a short bio to the Poets Union, PO Box 91 Balmain NSW 2041 or email to poetsunion@optusnet.com.au by August 10

Please include all contact details including your email address.

This event is sponsored by

Poets Union Inc. Mascara Poetry Zine


A new monthly poetry gig in Sydney!!!!

Jack Peck has started up WordinHand at The Friend in Hand.

Should be a fun night so bring your friends along and nibble some new words...

WordinHand at The Friend in Hand
58 Cowper St Glebe 9960 2326 $5 Donation
Tuesday August 7 - 7:30 for 8:00 pm

This month WordinHand is delighted to feature two of Sydney's foremost Spoken Word performers...

Tom Jack of Hearts and Bravo Child
Thomas and Bravo have an international reputation for lyrical, rhythmic and wincingly beautiful performance poetry and storytelling.
Working in a tandem set, Tom and Bravo combine their creative strengths to deliver new delights! Plus, a Mystery Guest!

Open Mike

Have you written something and want it out there?
This month and most months from now on, WordinHand has several opportunities for new work to be presented.
Signup at the door.
Supportive environment for new as well as experienced poets.

SLAM

The evening closes with a high-energy SLAM, led by Tom Jack of Hearts.
Audience participation (and how!)
Signup at the door.
First Prize: Bottle of wine PLUS a 5 minute set of your own next month! Second Prize: $20.

You are cordially invited to the launch of

Uncommon Light

By Brook Emery

To be launched by Martin Langford

At

Gleebooks, 49 Glebe Point Road, Glebe

On

Saturday 11 August, 2.30 for 3 pm

All Welcome Refreshments provided

Island Press PO Box 1015 Carlton 3053 Email: rpretty@unimelb.edu.au or phone 03 8344 8713

PLAN TO BE PUBLISHED — POETRY WORKSHOP WITH LES WICKS

Saturdays 18 and 25 August, 10am - 4pm NSW Writers’ Centre, Rozelle
NSWWC Members $132, Members' Concession $110, Non-Members $198. GST inclusive. Bring multiple copies of three poems, writing materials and lunch. Morning and afternoon tea are provided.

Of past such workshops given by Poets Union member Les Wicks, participants have commented:
Exceptional, supporting yet challenging, showing (and earning) respect, a privilege to attend this leader’s workshop;
As advertised ­ now ­ threatening, now encouraging but with a great deal of experience and insight ­ which he shared generously; There was also a really good mix of participants ­
serendipity but fabulous; contributed very generously ­ great value for money;
I got more from two days with Les’ workshop than I did over a postgraduate year at university


LES WICKS is widely published both in Australia and overseas, an accessible poet with seven collections to his name. He's been involved in dozens of editing projects over his 30 years as a writer and has done his popular workshops from Hobart to Byron Bay to Broken Hill.

Enquiries ring 9555 9757

Monday, July 30, 2007

Sticky Wicket

Those few amongst you who give a squat what Justin Lowe thinks or feels won't be too surprised to know I have ambivalent feelings toward Mark Davis, he of Ganglands fame, a boomer railing against his tribe. As a 1964 baby I have been afforded the somewhat dubious honour of sitting on the demographic fence, but that's what defines me as an X, surely. The snaking shadows cast by fireworks, nefarious, skulking, grumbling, caustic as Lear's fool. Not a generation at all. Y is a generation. An honest to goodness biblical generation, not something spawned in a Sex Pistols song. We haunt the stage, we 1964-73 mob. I am a 43 year old man who finds more in common with 24 year olds red-eyed with the hours they have to work to pay off their HECS debt than the 45 year olds barking at them to earn their 12 bucks an hour. I paid next to nothing for my education, for what it was worth. I did not treasure it, rather railed against it if truth be told. Kids now know the value of their time on the campus. For that they are damned and damned in equal measure from one side or the other of the old boomer divide.

For a start, these kids read, voraciously. But not the right stuff, of course. Ring any bells, ye of the '68 putsch? Poetry is a matter of life or death for them, as is history, music, in fact pretty much everything but post-war politics. Ring any bells dropouts, draft-dodgers, groupies? I love listening to the Anne Summers of this world harp on about how dyslexic and sub-literate are the youth (Y for youth, get it now?) of today. But like I say, I sit on the fence. I still remember listening to those posturing manifestos drawled from campuses all over the world, the same empty slogans borrowed from previous generations who actually lived and died by them, the icy assumptions of children in thrall to power ("all men are rapists" has to be my lasting favourite). Where would the Anne Summers, Ray Martins, Robert Mannes, John Pilgers et al be now without the latitude of post-war youth? It was a unique experiment in child-rearing they have yet to appreciate because that kind of latitude will never be repeated. They ate the whole cookie.

But I am concerned here with Mark Davis, what brings him back ten years on to rake over the still hot coals of Ganglands. It wouldn't happen to be a publishing deal would it? I speculate. As I say I sit on the fence. I am working my way to an interview I heard on ABC radio a few weeks back, prompted by Mark Davis' article in Overland magazine, and reproduced in concise form in the Melbourne Age. It began

Somewhere deep in the fabric of Australian cultural life it is forever 1974. The Whitlam government is still in office. THIS DAY TONIGHT is still on television. Patrick White has recently won the Nobel Prize. The last fading bars of Eagle Rock echo from the Sunbury stage.


Sonorous, peripatetic syntax in a Pilgeresque kind of way. Pressing all the right buttons, hints of an underlying message, the promise of a cut away.

Instantly Mark Davis has fallen into the trap he accused the Boomers of in Ganglands - of stereotyping an entire generation. He writes like a Boomer, he is a Boomer, so what exactly is his point in this whole line-drawing exercise.

Squat.

He is selling a line, selling a book, himself.

Every word Mark Davis has ever written was addressed to his Boomer market, not to the issues, and for that he betrays himself as a boomer. Child of the golden age, occluded from staring into the sun too long, eating that campus food, listening to the echo of his own priviliged feet down the corridors of one of the plushest campuses on the planet.

I get ahead of myself, once again, because my point was a talk I heard on ABC radio recently between our Mark, the ubiquitous Richard Neville and a rather shrill Sally Warhaft, editor of the excellent fledgling Australian journal The Monthly. I was tooling down the M4 at the time between my Blue Mountain exile and my weekend job in North Ryde, so I thought I'd check in on what the Boomers were doing. I mean I switched to Radio National.

And there was Mark Davis employing his best bed-time manner on a rather wistful, dilatory Suzanne Donisthorpe as she pretended to chair a debate between these parties. Sally Warhaft was supposed to represent the "benighted" (Suzanne's words), but it very soon became apparent she was neither happy with our Mark or the moniker. Ms Donisthorpe, I have to say, seemed to have already made up her mind about the whole debate sometime in 1998 or thereabouts, and I see why she is more producer than presenter. She sounded tired. Sally Warhaft sounded anything but. Richard Neville sounded reasonable with all the wisdom of his colourful and privileged years.

The round table sound became something of a triangle with very pointy ends as Sally W vented her daddy's girl spleen at the perennial nerd that is Mark Davis. A more courageous man I have rarely heard on ABC radio unless you count that Steve Waugh innings in 199-, but that betrays one weakness of mine too many.

Mark Davis, for those of you who have the misfortune to live beyond the realms of this fascinating if rather hide-bound debate, has been arguing since 1997 that the reins of cultural, economic and political life in Australia are in the hands of a kind of club who all fucked and fought each other on campus in the 60's and 70's and now shrug off any suggestion they are THEM, THE MAN, THE HEAT, THE ESTABLISHMENT, another creak in an already creaky door. They simply don't have it in them to grow up that much (that, at least, is the kernel of his argument that got stuck in my teeth).

Sally Warhaft is, on her own admission, in her mid-thirties, however a little prickly around matters of chronoglogy in this particular performance like one with something to hide. In the midst of defending her demographic call as editor at The Monthly, she slipped once or twice, but you could forgive her, you HAD to, she was that shrill.

"If there was anyone that HOT out there, they'd be found."

This from the apparent spokesperson for the benighted on the pointy table of aunty's reason. This millenial aphorism following up some rather scintillating attacks on Generation Y's ability to express themselves ("I get fifty to a hundred UNSOLICITED manuscripts a week!!!" poor dear. "They are largely unpublishable.") This, on top of some isolated case of a happy student oblivious to the fact there weren't one but two world wars, seemed to be her case for a defence of the infedensible.

That talent is not self-evident is one of the tragedies of the boomer generation, I'm afraid. Their lense is geared to the spectacle, the next big thing, their expectations heightened (whether they want to admit it or not) by the technical, sociological and economic fireworks of 1914-18, 1939-45. Unfortunately for the rest of us, culture doesn't work that way.

Sunday, July 29, 2007

New-(ish) Poetry by Oscar Vallazza











ON THE BEACH

I watch the kids of a new nation
washing the sins of old crimes
in the surf of an old land
reaching into the waves of the endless water
of a world of myths and spirit
under the watchful eye
of Julian Rocks

The mountains lie on the round horizon.

- Oscar Vallazza Byron Bay, 9 July, 1995

Saturday, July 28, 2007

Giramondo

The Giramondo Publishing Company

warmly invites you
to the launch of the new
poetry collection by

Jane Gibian

Ardent


to be launched by
Adam Aitken
on Sunday 5 August
3.30 for 4 pm
upstairs at Gleebooks
49 Glebe Point Rd
Glebe

Wednesday, July 25, 2007

More Black Inc.

Tanya Levin, author of People in Glass Houses - An Insider’s Story of a Life In and Out of Hillsong, will be discussing her explosive memoir at two events in Sydney in August 2007.

People in Glass Houses is the first insider’s account of what it’s really like growing up inside the country’s most ambitious, entrepreneurial and influential religious corporation. Opening up the world of Christian fundamentalism, this is a powerful, personal and at times very funny exploration of an all-singing, all-swaying mega church.

Stanton Library Event

Venue: Stanton Library, 234 Miller Street, North Sydney
Date: Tuesday 7 August
Time: 1pm
Bookings: No bookings required.

Gleebooks Event

Tanya Levin in conversation with Steve Cannane from JTV

Venue: Gleebooks, 49 Glebe Point Rd, Glebe
Date: Thursday 16 August
Time: 6.30 for 7pm
Cost: $10/$7 conc. gleeclub welcome
Bookings: Ph: 02 9660 2333 or visit www.gleebooks.com.au to request a place.

For further information on Black Inc. books, please visit www.blackincbooks.com.

New Poetry by rob walker











jazz channel

did lester young charlie parker dizzy gillespie and buddy rich at the philharmonic
in 1953 know that they would be the sound track to turbulence and three
layers of clouds of three different shades of white travelling at
three different speeds modal merging with melodic to
this diorama somewhere between osaka and
singapore as i down brandy cointreau
white wine and beer and
slip into a fog of an
indeterminate
decade
?

- rob walker 2007

rob walker is a poet and teacher from South Australia. His latest chapbook phobiaphobia (poetry of fear and anxiety) will be released by Picaro Press later in 2007.

Special Black Inc. News Bulletin

Black Inc. Books Australian Small Publisher of the Year!

The 2007 Australian Book Industry Awards were presented by the Minister for Arts and Sport, Senator George Brandis last night in Sydney.

Black Inc. is pleased to announce it has been awarded the Australian Small Publisher of the Year 2007.

Black Inc. would also like to congratulate Alice Pung, author of the bestselling memoir Unpolished Gem, who was awarded the Australian Newcomer of the Year 2007. Unpolished Gem was also shortlisted in the Australian Biography of the Year and Australian Book of the Year award categories.

2007 Books Alive Great Read Guide

Unpolished Gem by Alice Pung had been selected for 2007 Books Alive Great Read Guide. The Books Alive Great Read Guide is an Australian Government initiative that showcases 50 books so good everyone will want to read them.

For further information on the 2007 Books Alive Great Read Guide, please visit http://www.booksalive.com.au/

For further information on the Australian Book Industry Awards, please visit http://www.publishers.asn.au/index.cfm

For further information on Black Inc. books, please visit http://www.blackincbooks.com

Monday, July 23, 2007

Binary Blues

I apologise to all for my tardiness of late, but on top of writing commitments I have had a run of bad luck with computers and am awaiting a replacement hard drive. I managed to rustle up something, but am not sure how long the window will remain open (pardon the pun). Contributors get back to me on or about the 26th (three days from this post), and see whether things haven't improved. Once again sorry, but we have all been there.

Tuesday, June 19, 2007

The Land of the Beigists

Could the national epidemic of somnambulism and mediocrity become an election issue? Steve Burrell set the ball rolling in last weekend’s Sydney Morning Herald with a competent if not overly original article on the current intellectual and spiritual malaise overwhelming this country. He was careful not to slide into political polemic, for the current Federal Government is merely one symptom of a chronic distemper that has afflicted the land down under since its earliest days as a colony. The old excuses no longer wash, however, and it seems our egalitarian legacy is only ever flaunted these days in defence of the average. I encounter people almost daily brimming with energy and ideas, but what Steven Burrell and many others are worried about is that they seem to be working in a bubble that eventually either bursts quietly or drifts off north of the line to people more receptive to the fresh and extraordinary. It is not a problem unique to Australia, of course, as the post-war generation ages and constantly shifts the cultural, economic and political goal posts to suit its changing needs, but we are perhaps more vulnerable than most because more practised than most at dragging down the “tall poppy” in the name of an egalitarianism that never really existed.

Now the deputy leader of the ALP, Julia Gillard, has stepped into the debate with her address last night to mark the 75th anniversary of the Australian Quarterly. She views the erosion of once vibrant cultural institutions in this country as a deliberate and sustained attack by some on the right of politics who feel compelled to fall into line with the nascent “global monoculture” of expediency and silence. “Their attempt to denigrate people like our philosophers, artists, writers and even climate scientists as out-of-touch, inner-city elites, and to claim that our egalitarian values are unsuited to new economic necessities, risks subsuming us into the blancmange of an emerging monoculture.”

Fighting words, Julia! But I would take issue with her on the origins of this attack. As far as the old right-left divide holds any relevance at all, there has been a steady erosion of values coming from both sides, often from within the very institutions themselves. I find it ironic that the culture of the individual has fostered a resistance to comprehensive education in much of the three post-war generations and that this has in turn peopled the world with semi-literate somnambulists barely cognisant of their rights and potential, let alone how to go about defending them.

In the world of international poetry, to bring this argument a little closer to home, there are already strong signs of this monoculture taking hold as the academies spit out armies of bright shiny things, their heads crammed with faux Ashberrian angst and the latest post-modern antitheses of eloquence and aesthetic. Anyone who doubts my take on things (and they are legion, I’m sure), please take some time from your busy schedule to surf the net and sample what’s on offer in all the major English-speaking cultures re all things poetic. Then track down some of the latest work being translated from the French, German, Romanian, Russian etc and much the same pattern emerges. Does this reflect the majority of what is being written and read and experienced by young poets, or simply what is being sought by their ageing, cloistered doyens? Some of it is very good, of course, but I am concerned here with the emerging global monoculture and what poets could and should be doing to arrest or even reverse it. The poetic, after all, is a duty not a right. Comments always welcome.

Tuesday, June 12, 2007

No Reaction

We're gettin' no reaction, with due apologies to this nation's Shadow Minister for the Environment. I asked for submissions recently, but perhaps you are all holding off waiting for the new website to be up and running. Well, you may be waiting sometime as my designer seems to have fallen asleep at the wheel and I am about as IT savvy as my nine year old dog. So please, feel free to send me poetry or stories (max 1500 words). NO ATTACHMENTS PLEASE. There are submission guidelines below the merchandising, but I pride myself on being less pedantic and far more punctual than most.