Wednesday, August 24, 2016

New Words and Images by Wayne H. W Wolfson

Secret Alphabet

The pen put to paper. Jet black ink, strips of the night sky, the space between the floors. When it was good, then each letter of every word vibrated. All of them together in unison created an ambient hum that filled my studio.
Each letter and vowel shook harder and harder. Not tortuously but with the innate sensuality as occurs in true, perfect sentences. With a steady increase the sides of every letter began to crack. Pieces fell off, leaving jagged edged holes from which sprout little wings. They flutter around the page breaking off into groups of various sizes, each with its own meaning.


Their migratory patterns fill page after page. At night these word-birds sleep, their plumage speckled with punctuation marks.  
An affirmation of us. There is once again the secret language. I do not reveal too much by saying so to myself. Besides, I like the rhythm of the sentence. The cadence had variations as its being said several times in my head.
The bed is the paper, contorted, entwined limbs, the words. It is mostly vowels; the breathing and panting too contribute to the linguistics of our predawn struggles. I speak not for myself but to you, so that we may remember.


- Wayne H.W Wolfson 2016 



A reissue of Wayne's first collection of essays is now available: 

Monday, August 22, 2016

New Poetry by Fleur Beaupert










Beneath the folded tortilla moon

trees are dreaming bent sunlight in long last
summers. of mutation. tree speak themselves

hungry raining down dirt milk and juice. whisper
of cosmic matter consuming itself like a story

half-told. trees. pretend to sleep while surfing
distorted waves of night. assume a twisted

appearance when lightning strike. trees droop
into vital angles casting leaf. shadows to tickle

our body shadows like ghost feather dusters or
deaths too soon. drizzling. tears through bark


- Fleur Beaupert 2016


Fleur Beaupert is a Melbourne-based poet and writer whose poetry has appeared in spaces such as Tangent, Cordite, Regime and Bimblebox 153 Birds. Her short plays have been performed at a number of Sydney play festivals, and her play Dead Time, devised in collaboration with the cast, was staged at 107 Projects in 2015. Fleur studied arts and law at Sydney University

Sunday, August 21, 2016

New Poetry by Michael Lee Johnson










The Seasons and the Slants (V2)

I live my life inside my patio window.
It’s here, at my business desk I slip
into my own warm pajamas and slippers-
seek Jesus, come to terms
with my own cross and brittle conditions.
Outside, winter night turns to winter storm,
the blue jay, cardinal, sparrows and doves
go into hiding, away from the razor whipping winds,
behind willow tree bare limb branches-
they lose their faces in somber hue.
Their voices at night abbreviate
and are still, short like Hemingway sentences.
With this poetic mind, no one cares
about the seasons and the slants
the wind or its echoes.


- Michael Lee Johnson 2016


Michael Lee Johnson lived ten years in Canada during the Vietnam era. He is a Canadian and USA citizen. Today he is a poet, editor, publisher, freelance writer, amateur photographer, small business owner in Itasca, Illinois.  He has been published in more than 915 small press magazines in 27 countries, and he edits 10 poetry sites.  




Wednesday, August 17, 2016

New Poetry by Rob Walker










confected outrage

for Rupert

ingredients:

215g (1 cup) caster spersions
60ml (1/4 cup) cold water
tolerance (optional)
2 tsp essence of ignorance
1 cup self-raising bigotry
truth (1/2)
dog-whistle (any size)

method:

Pour cold water over Tolerance being certain to remove all traces. Stir water and dry ingredients in a saucepan over low heat until the (1/2) Truth, Ignorance, Caster-spersions and Bigotry dissolve. 

Increase heat to high over several days. To dissolve any tolerance left on the side of the pan, slap down with a wet pastry brush. Bring to boil.

Cook until the mixture is a rich red, white and blue - don't let it burn. Remove from heat. Blow dog-whistle. 
Serve daily.


- Rob Walker 2016



Rob Walker is a cantankerous curmudgeon with a titanium knee. His most recent collection is Original Clichés (Ginninderra Press, 2016.) He lives in the Adelaide Hills where he complains about the cold in winter and bushfires in summer.


Sunday, August 14, 2016

New Poetry by Jonathan Beale










When the clock catches up

For J.S. i.m. perhaps

Time rips through the flesh
Remorselessly – blind in blood 
Bricks - mortar - stone
Remain….  Still remain
Girls in their youths colour
Breath life 
The boys in their idealism
Divine the path
Endings are an impossibility
Yet find a way    
Another way
An undiscovered way
‘Be calm. God awaits you at the door.’ *


- Jonathan Beale 2016


* Gabriel Garcia Marquez, "Love in the Time of Cholera"


Jonathan Beale has poems published in such journals as: Danse Macabre, Poetic Diversity, Ink Sweat & Tears, Down in the Dirt, Mad Swirl, The Beatnik Cowboy, The Jawline Review, Bluepepper, Jellyfish Whispers, The Outsider, Yellow Mama, and In Between Hangovers.
He was commended in Decanto’s and Café wriers Poetry Competitions 2012. His work has appeared in such books as ‘Drowning’ (Scar publications) and ‘The Poet as Sociopath’ (Scar publications). He is currently working on his second volume.
His first collection of poetry ‘The Destinations of Raxiera’ is published by Hammer & Anvil.  http://www.amazon.co.uk/Destinations-Raxiera-Jonathan-Beale-book/dp/B018F6GWQ6/ref=sr_1_1?s=digital-text&ie=UTF8&qid=1452199641&sr=1-1&keywords=jonathan+beale
He studied philosophy at Birkbeck College London and lives in Surrey England. 



Thursday, August 11, 2016

Bareknuckle 2

OK, I know it's only in its second year, but if last year's anthology is anything to go by (and, yes, I was a contributor last year, albeit one of the weaker ones), then Bareknuckle promises to be one of the high water marks of the Australian poetry calendar. Follow the link at the bottom of this post for more details of the launch.


http://uplit.com.au/festival/brisbane-writers-festival/program/bareknuckle-press-launch

New Poetry by Abigail George










The infant

The river is filled to the bare maximum with life.
Women are more heroic than men. They have to
Be. Clocks tell time. The time we must go to bed.
The time we must face another day. Smoke gets
In my brother’s eyes. He opens the pathways to
The veins in my heart. I’m an animal when it comes
To books. The night is there to fill the hours with
Making love. My brother is always buying cigarettes.
Bees work at night (like I do). I write poems for
A living. Work until the early hours of the morning.
My mother washes the linen. I can see the veins
On her still life beautiful hands. When my mother
Irons my brother’s shirt I watch the expression
On her face. Is she happy or is she sad that he is
Moving away from her in this world to the next. I
Know a bird when I see them. I ask the infant,
‘What is eating you?’ he gurgles with delight as if
I have found his hiding place. I tell him I am going
To eat him up. His antelope legs first, his eyes, the
Pink flame of his tiny hands. One day I will have
To release him. Find my exit out, hatch an escape.
One day he will be a man in a man’s world and
I will be an old woman. He’ll grow into fire and muscle.
I’ll think to myself of the good old days when I
Was young, and free to do as I please. I’ll keep my
Last breath a secret from the world until the end.
Until night comes and takes my aged fragility with it.



- Abigail George 2016



Abigail George is a feminist thinker and a South African poet and writer. She contributed to a symposium in Finland for a year (Ovi Magazine: Finland’s English Online Magazine). She is the recipient of two writing grants from the National Arts Council, Johannesburg, one from the Centre for the Book, Cape Town and ECPACC (Eastern Cape Provincial Arts and Culture Council), East London, South Africa. Winter in Johannesburg, a collection of short stories, is her latest book and is available as an electronic version on Amazon. Her poem ‘What happened at Lonmin’ is included in an anthology of poetry against political violence that was edited by Rethabile Masilo and she was invited to participate in the Imbizo Arts Book Fair (2016) held in Port Elizabeth. She studied film at the Newtown Film and Television School in Johannesburg.



Tuesday, August 09, 2016

New Poetry by Nathanael O'Reilly










Bookpeople

For Celeste

Bookstore browsing
we begin with Harry Potter
discuss the merits
of various cover art
before moving on to Star Wars
crafts and Percy Jackson

finally it's Dad's turn
so we descend the stairs
to Poetry and Fiction
break for bagels and coffee
with Quidditch Through The Ages
and Charles Wright's Caribou
before finishing with journals
magazines, fridge magnets
wands and horcruxes


- Nathanael O'Reilly 2016




Nathanael O’Reilly was born and raised in Australia and now lives in Texas. He is the author of the full-length collection Distance and the chapbooks Cult, Suburban Exile and Symptoms of Homesickness. He is the recipient of an Emerging Writers Grant from the Australia Council for the Arts. His poems have been published in journals and anthologies in eight countries, including Antipodes, Australian Love Poems, Bluepepper, Cordite, FourW, LiNQ, Mascara, Postcolonial Text, Prosopisia, Red River Review, Snorkel, Social Alternatives, Tincture, Transnational Literature, Verity La and Writ Poetry Review.

Thursday, August 04, 2016

New Poetry by Miguel Jacq










dream sequence

should be a standalone word for slow motion,
this act of water stowing rotation
onto air; how I close my eyes

involuntarily when I think to
drink and breathe you
but can never seem to commence.

I have surely stood here before,
inside the same wolf; need not see
again where mutation rages,

where young leaves shake themselves loose
like too soon teeth from ghost gums,
fall gripless toward the munged up mouth

of the valley held open by our prying eyes,
our untamed drinking; a slow breath grazing
around the dry callouses of sleep



- Miguel Jacq 2016



Miguel Jacq is a French-Australian writer. His poetry has been published by a range of Australian and international journals and anthologies, both in print and online. In 2013 his poem 'Nine Year Microwave Sky' was shortlisted for the Australian Poetry Science Poetry Prize. In 2016 his poem 'flower of distant season' won the Nillumbik Ekphrasis Poetry Award.


Thursday, July 28, 2016

New Poetry by Jordan Hoxsie










something vogue

bullet points summarizing beauty
always leave exit wounds


- Jordan Hoxsie 2016


at this moment

palm trees have a place
in history
and our wallets

right now we are experiencing
hypebeast weather

angels are hibernating
in the hollow places
we keep clean inside

because everyone needs
a little extra warmth


- Jordan Hoxsie 2016


Jordan Hoxsie is a poet living in Burbank, CA. They are the founder of Varsity Goth, work as the Social Media Editor for Reality Beach, and are the author of the mini-chapbook cry lightning (Ghost City Press, 2016). Their work has appeared in Be About It Zine, Internet Poetry, Babe Soda Zine, Dirty Chai, and elsewhere.

Sunday, July 24, 2016

New Poetry by Jonathan Beale










Bye - the - Bye

By Barnes Pond SW13 on a bright spring morning

The accident of the molecular.
All heads: men - women - dogs
-Pidgeon’s and all the fish & toads
of the pond.

Silken veils we each breathe
here – sat by Barnes pond
on the sun kissed April morning.

A goose shrieks against
the wind – fracturing
(like a bolt of thunder).
Practically visible as lightning
The daffodils (now yesterday’s idol)
fading and dropping away.

An old woman draws against the pavements
Insufferable mood.  Yet still she goes on….

Waiting for: The passing of time, life and… more time
As the pigeons scatter around
For the rich pickings
that make or may not make their day.

In these wide sparse arenas
where something runs, pulsates
into silence. A sweet happiness is just around
the corner, here. Bye-the bye


- Jonathan Beale 2016


Jonathan Beale poems published in such journals as: Penwood Review,  Ink Sweat & Tears, Down in the Dirt, Mad Swirl,  ‘Don’t Be Afraid: An Anthology to Seamus Heaney’, Ygdrasil, The Four Seasons Anthology, The Seventh Quarry, Van Gogh’s Ear Anthology, The Curly Mind, The Beatnik Cowboy, Dali’s LoveChild, Storm Cycle Anthology (Best of Hurricane Press 2015), The Jawline Review, Bluepepper, and Jellyfish Whispers .

Friday, July 22, 2016

New Poetry by Mark Roberts










The Age of Rubbish

I rode my bike through the last days
of the rubbish dump over shallow hills
covering the waste of decades.

After the war they filled in the bay,
the muddy shallows and the salt marsh,
with discarded war waste, planes,
tanks and jeeps. Drove them
into the mud till they sank,
then drove the next tank over the top.
They had to punch holes in the crates
of unassembled spitfires so they
would sink. The spoils of war.

A sea wall was built, a hard boundary
between the victory of land
and the flow of the river.
The age of rubbish, a public tip
for the garbage of the fifties.
Methane outbursts mixed with
old aviation fuel seeping
from the depths. Rats and crows.


- Mark Roberts 2016


Mark Roberts is a Sydney poet. He edits Rochford Street Review. His latest collection, "Concrete Flamingos" has just been released.






Thursday, July 21, 2016

New Poetry by Meredith Pitt






Through the Window
after Julia Darling

I shall heave up and nudge an extra pillow at my back,
enjoy the tea you left like a bloom beside me.

The pheasant and I will pick up our conversation
about the state of the garden as I spread

the sand of toast along the quilt dunes.  I will once
again marvel at your splayed camellias along the fence,

the blooms peeking through like neighbours while I
rest back against the headboard.  I am at last

ready to venture past the window and take lungfuls
of that crayon blue horizon.


- Meredith Pitt 2016


Meredith Pitt is a Sydney-sider who has recently completed a Masters in Psychotherapy following her interest in why we do what we do.  She has luxuriated in a poetry focus week at Varuna and been published in Meanjin.

Friday, July 15, 2016

New Poetry by James Walton










Ludwig’s Riff

Unlike my desk or room and bookcases
the garage is a mess that hides things.
The extra set of screw drivers
handles eaten by rats. That ball of twine,
now I have a baker’s dozen.
I never left the fencing pliers by the one inch
joiners in that box. Surely something else,
an incantation a spatial anomaly lingers.

Like the feeling when a song comes back
from where ever it’s been. Sound waves
catch in skin unaware with ankles tuning
in the foreshore. Played while doing the dishes,
out they go. Circling like birds of prey,
waiting for the side way look. Distraction
lets them in again, humming, mouthing words
lost until they re-admit themselves.

Though Beethoven’s hearing left before him
Moonlight Sonata roams the stars,
arcs of never received light race ahead of chatter
mixed with all the transmissions, the spilled tea
of radio plays, Lear in defiant wandering.
Somewhere a comet streak meanders over chords,
an intersect of time and space reconciled
by the first alert of introductory notes.


- James Walton 2016


James Walton lives in the Strzelecki Mountains in South Gippsland, Australia. He has been published in The Age and Sydney Morning Herald newspapers, and many journals and anthologies. He has been short listed twice for the ACU national Literature Prize, is a double prize winner in the MPU International Poetry Prize, and Specially Commended in The Welsh Poetry Competition.  His collection ‘The Leviathan’s Apprentice’ is available. He’s been a Librarian, bred Salers cattle, and was a public sector union official for many years.


Sunday, July 10, 2016

New Poetry by James Diaz










The Light Behind Our Eyes Is An Explosion

Are you on fire yet?
Do you know the way?
What is everyone waiting for?
Oh, that old song and dance
dressed for the occasional emergency
first bite 
of every inspired wound
how badly are you
missing...

this much?

my brother & I ate from the same table
but his name was always hiding itself
in the least likely of places
one underneath the welcome mat
another in a barrel of hay

late at night
when the highway groaned
we lit cigarettes and laughed
at the pain of our parents

nothing comes easy
soon we were the ones 
other people found funny


- James Diaz 2016


James Diaz lives in upstate New York. He is the founding editor of the literary arts journal Anti-Heroin Chic. http://heroinchic.weebly.com/ His work has appeared most recently in HIV Here & Now, Chronogram, Foliate Oak & Indiana Voice Journal.

Monday, July 04, 2016

New Poetry by John Sweet










song of the wounded horse

18 year old girl naked &
beautiful in the room at the end of
the hall and will you be the one
to tell her that christ is dead?
don’t just stand there
while the trailer begins to burn

don’t think you can ever stop a
war being fought for profit

the sink in the bathroom drips and
the children are hungry and
i am tired of being told to take
pity on the junkies

i am tired
40 year old ghost on the other end
of the phone tells me we had to
dig for seven hours to find
our daughter’s body and what can
you say to this?

the men out there die of AIDS
or they live forever

the women commit suicide

there is nothing you can build
from the bones of angels but
i collect them anyway and at night
if you’re quiet you can hear the
noise this house makes as
it pulls itself apart

in the morning you can walk
through the rubble of your past

feels like being lost except
that all of the pain is familiar


- John Sweet 2016


John Sweet sends greeting from the rural wastelands of upstate New York.  He is a firm believer in writing as catharsis, and in the need to continuously search for an unattainable and constantly evolving absolute truth. His latest collection is APPROXIMATE WILDERNESS (2016 Flutter Press).

Friday, July 01, 2016

New Poetry by Hugh McMillan










Towards the Sea

Where the burn joins the river
the language of water is verbs,
rushing from the hills and the fields
with the wind that breaks

the surface in flakes of glass
that mob and scatter like birds.
My daughter is often there:
for now, it is the boundary

of her empire. She sits for hours.
Sentences form, break apart,
and then move away always,
towards the sea.

- Hugh McMillan 2016

Hugh McMillan is a poet living in Galloway in south west Scotland.

Wednesday, June 29, 2016

New Poetry by Abigail George










Ascension

It is a weekend of ascension and seawater.
Your face still haunts me.
She shows her face and all I see is love.
The beacon of my heart
is governed by mysterious
drowning things. Even
her laughing, serious,
fighting, sonnet movements.
Once there was an Eastern
frontier at the Eastern Cape.
A Kat River Settlement. Khoi.
Four wars were fought there
between the Xhosa and the
settlers but that’s history.
Men were like twisting flame.
The sermon of the major
earth is serene now. It’s a
winter sky and a winter rain
that gathers overhead from
eternity to the hereafter. The

faded call of unsung sorrow.
You mum belong to a barefoot
people. The terror of the
Pacific when it comes to your
tribe of children. You taught
me to lead and not to follow.
You were the skilled expert
when it came to my rage. I
only have to say that I am hungry
and my mother feeds her cub.
The continuous noise inside
my head goes away but not the
memory of my mother’s forehead.
Her astonishingly beautiful
African violets. The scene of
luscious green grass from childhood
forgotten. Her face is still
hauntingly beautiful. You, who
taught me how to write about everything I know.
To see the world around me.



- Abigail George 2016


Abigail George briefly studied film at the Newtown Film and Television School in Johannesburg. Some of her poems have appeared in and are  forthcoming from Birds Piled Loosely, Hamilton Stone Review, Literary Orphans, The Writing Disorder, Toad Suck Review, Vigil Pub Mag. Some of her stories have appeared in and are forthcoming in Spontaneity, Hackwriters Magazine, Ovi Magazine: Finland’s English Online Magazine, and Africanwriter.com. She is the recipient of grants from the National Arts Council in Johannesburg, Centre for the Book in Cape Town, and ECPACC (Eastern Cape Provincial Arts .






Tuesday, June 28, 2016

New Poetry by Jane Frank










Picnic

All this time later, I still hear the screams
of a lizard flailing in the clutches

of a brahminy kite, cliff height
above the clear stretch of ocean,

a metaphor for that day, I’ve since thought:
too hard to converse, too many tests

set for me to fail between bites of Roquefort
cheese and bread you fed me, a gentleness

that cajoled me into thinking in third
person of a picnic in a painting with a soft

winter sky. It still bothers me that the kite
kept flying so remorselessly over the sea.



Where the Wild Things Are

From Brown Dog Café
I can see cranes
sculpting the skyline
into something I won’t know

and I move beyond sadness,
try instead to shelter
in the neon jolt of laces
on the retro, sideburned man

eating salmon and dill crème
fraiche on toast at the table
next door, the pair of peewits
circling the telegraph pole

beside the nondescript street,
the pleasant numbing of my teeth
on a triangular shard of ice
and abstract patterns of titian

light vibrating on fig leaves,
the sensation of my back
touching the wall – acceptance,
without turning my head,

that it is stark and white,
emblazoned with a drawing
in clear black ink of the Wild
Things boy chasing a brown dog. 


- Jane Frank 2016


Jane Frank lives and writes in Brisbane. Her chapbook Milky Way of Words has just been published by Ginninderra Press. She has poems forthcoming in Antipodes, Cordite Poetry Review and takahē.  


Monday, June 27, 2016

New Poetry by Michele Seminara










Bow and Scrape 

How freeing, to bow out; there's wisdom in it. 
Mind's tumescence halted. 
What's twisted in you 
no longer twisting 
in me. 

Silence is best. 
Stillness. Trying not
to put a word wrong. 
(I speak so circumspectly 
these days even the dog won't come!)

Enough. Just keep going.
(But let's admit it's not much fun.)



Blinds

I close the blinds to block out probing eyes.
The roses on the window sill
                                         still flame against the sky.
Darkness crawls out early    from the rain.
A stranger calls    to check    that I'm alive.



The Fall

One day I shall fall
down those stairs
and it will be 
a release.
As 

I fall 
I must surely recall 
my children and feel ashamed. 

The fall will create an elongation
in time, a lacuna for recapitulation.
And nothing will flash before my eyes—
Nothing. Only darkness; easeful darkness. 


- Michele Seminara 2016


Michele Seminara is a Sydney poet and chief editor of Verity La.

Sunday, June 19, 2016

New Words and Images by Donal Mahoney

Meeting Dad Again

My father emigrated from Ireland to the United States in the early 1920s. He had been released from Spike Island by the English who "occupied" Ireland at that time. Spike Island was the "Guantanamo" of that era, located just off the coast of Ireland. It was there the English warehoused prisoners of the Irish Republican Army (IRA). 

My father had been imprisoned by the English at age 16 for running guns through the marshes of County Kerry to aid the rebels fighting to free Ireland from the rule of the English. Young Irish lads were recruited for duties like this because they would be less apt to be captured by the English--or so the IRA thought. My father was not coerced into doing this. He volunteered for the duty and would have done it again if the English had not insisted that he and other prisoners leave Ireland as a condition of their  release. 

On arrival in America, he found work as a grave digger in Brooklyn, NY. Later he boxed professionally and sang in night clubs that catered to Irish immigrants. After he got married, he moved with my mother to Chicago where he was hired by the Commonwealth Edison Company. There he spent almost four decades as a lineman, often working as a "troubleshooter" who was called out in the middle of the night whenever a storm knocked out the power. He liked this work and was very good at it or so I was told by his peers when I visited him in the hospital. They had gathered in the hall outside his room after he had survived an electrical accident that occurred high on a pole in an alley. He survived 12,000 volts, an incident that got his name in the Chicago Tribune.  

In January 2012, decades after my father had died, my wife discovered a photo of him on the Internet. It showed him as a prisoner on Spike Island, circa 1920. He was a farm boy, poor as the chickens he fed as a child, but the English dressed him up nicely for the photo that accompanies this story. Perhaps they didn't want his age to show and to a degree they succeeded in that. You would think they had treated him well but they broke both his legs with rifle butts and let him sit on an earthen cell floor for a long period of time. 

In the photo, my father is in the first row, third from the left. He is identified as “J. O’Mahony,” which was the family name until he became a citizen of the United States. On that occasion, the judge suggested he change his name to "Mahoney," which was "more common" in the United States. My father agreed to the change but it was a decision he would rue for the remainder of his life. More than once he told me, "I should never have done it but I was a greenhorn, what did I know?" 


My poem, “Meeting Dad Again,” below, was written many years later after my father and I reunited in Chicago briefly after he had been out of my life for awhile. His two years on Spike Island as an adolescent had taken a toll. He suffered from post-traumatic stress syndrome (PTSD) before that ailment had been identified and named. Despite this problem, however, he was a sober Irishman who labored hard in Chicago for decades to save money to put me through college. His goal was to make certain I would never have to "work with my hands." He didn't have to worry. I can operate a hammer but have no manual skills beyond that. 

My poem records our reunion when my father, back in town unexpectedly, phoned me at work and, to my surprise, asked that I meet him for lunch. He suggested a cafeteria that was then a Chicago landmark. No fancy restaurants for him, even though in retirement he could afford a touch of the posh. I can't remember for certain but I doubt that he let me pay the check. He knew that I had bills as the father of five stair-step children. 

The lunch went well. Conversation was light. I did not ask him where he had been or what he had been doing and he asked only pleasant questions about me and my children. He showed no mood swings to indicate that he had once been a guest of the English, a confinement that affected him far more, I believe, than absorbing 12,000 volts. The voltage crippled his hand and gnarled his arm but the English crippled and gnarled his nervous system. On this day, however, he was in fine fettle, as he liked to say. This time he was more interested in seeing me than my report card. 


Meeting Dad Again

Thirty years later, Dad came back
and we met for Ham and Yams at Toffenetti’s.
Pouring his tea, he told me he had
to restore power once
at a newspaper warehouse
and the storm broke again
and the lightning cracked his ladder.
He spent the whole day, he said,
sitting in that dark warehouse,
waiting for the lightning to stop
and for the truck to bring a new ladder.
He had a great time, he said,
sitting next to a flickering lantern
and reading for hours the Sunday comics
printed and stacked
six weeks in advance.


- Donal Mahoney 2016

----------------------------------

Donal Mahoney, an expatriate from Chicago, lives in St. Louis, Missouri. Some of his earliest work can be found at http://booksonblog12.blogspot.com/ and some of his newer work at http://eyeonlifemag.com/the-poetry-locksmith/donal-mahoney-poet.html#sthash.OSYzpgmQ.gpbT6XZy.dpbs. The Waterford County Museum in Ireland has given permission to reproduce this photograph.